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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    265 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "The third suitor, who is an archer, shoo"12 records

Institutions answered newest-first by record, interleaved

Drachm by an unrecorded maker, The Metropolitan Museum of Art

Drachm

Unrecorded maker

ca. 171–138 BCE · Silver

Cleared · Public Domain

live
The MetSimilar
Silver drachm by an unrecorded maker, The Metropolitan Museum of Art

Silver drachm

Unrecorded maker

ca. 121–91 BCE · Silver

Cleared · Public Domain

live
The MetSimilar
Silver drachm by an unrecorded maker, The Metropolitan Museum of Art

Silver drachm

Unrecorded maker

ca. 121–91 BCE · Silver

Cleared · Public Domain

live
The MetSimilar
Drachm by an unrecorded maker, The Metropolitan Museum of Art

Drachm

Unrecorded maker

ca. 70–57 BCE · Silver

Cleared · Public Domain

live
The MetSimilar
Seated Hercules in the act of shooting at the stymphalian birds by Vittore Gambello, The Metropolitan Museum of Art

Seated Hercules in the act of shooting at the stymphalian birds

Vittore Gambello (d. 1537)

ca. 1515–20 · Bronze

Cleared · Public Domain

live
The MetSimilar
Amusements at Kitano Shrine by Studio of Kano Takanobu, The Metropolitan Museum of Art

Amusements at Kitano Shrine

Studio of Kano Takanobu (d. 1618)

mid- to late 1610s · Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Longcase clock by Hermann Achenbach, The Metropolitan Museum of Art

Longcase clock

Hermann Achenbach (d. 1825)

ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock by Thomas Dickenson, The Metropolitan Museum of Art

Longcase clock

Thomas Dickenson (d. 1827)

ca. 1807 · Case: rosewood, coniferous wood veneered with mahogany and inlaid with bands of holly, stained holly and bone, and brass; Dial: painted enamel on copper with brass hour hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Table clock with calendar by Lucien Falize, The Metropolitan Museum of Art

Table clock with calendar

Lucien Falize (d. 1897)

1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

early–mid-20th century · Wood, beads, fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for The Epic of Gilgamesh: Siduri the Innkeeper

Dia al-Azzawi

1966–1967 · Ink and metallic paint on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.