
Drachm
Unrecorded maker
ca. 171–138 BCE · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
265 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Drachm
Unrecorded maker
ca. 171–138 BCE · Silver
Cleared · Public Domain
live
Silver drachm
Unrecorded maker
ca. 121–91 BCE · Silver
Cleared · Public Domain
live
Silver drachm
Unrecorded maker
ca. 121–91 BCE · Silver
Cleared · Public Domain
live
Drachm
Unrecorded maker
ca. 70–57 BCE · Silver
Cleared · Public Domain
live
Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello (d. 1537)
ca. 1515–20 · Bronze
Cleared · Public Domain
live
Amusements at Kitano Shrine
Studio of Kano Takanobu (d. 1618)
mid- to late 1610s · Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper
Cleared · Public Domain
live
Longcase clock
Hermann Achenbach (d. 1825)
ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel
Cleared · Public Domain
live
Longcase clock
Thomas Dickenson (d. 1827)
ca. 1807 · Case: rosewood, coniferous wood veneered with mahogany and inlaid with bands of holly, stained holly and bone, and brass; Dial: painted enamel on copper with brass hour hands; Movement: brass and steel
Cleared · Public Domain
live
Table clock with calendar
Lucien Falize (d. 1897)
1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
early–mid-20th century · Wood, beads, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Siduri the Innkeeper
Dia al-Azzawi
1966–1967 · Ink and metallic paint on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.