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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    157 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    1388 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 121 matching records exist across the two collections.

Results for "The true maner [manner] of the execution"12 records

Institutions answered newest-first by record, interleaved

The Deposition from the Cross by Domenico Campagnola, The Metropolitan Museum of Art

The Deposition from the Cross

Domenico Campagnola (d. 1564)

1537–1550 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
The true maner [manner] of the execution of Thomas Earle of Strafford by Wenceslaus Hollar, The Metropolitan Museum of Art

The true maner [manner] of the execution of Thomas Earle of Strafford

Wenceslaus Hollar (d. 1677)

1641 · Etching; third state of three

Cleared · Public Domain

live
The MetSimilar
Despite the Corageous Opposition of the Germans and the Spanish, Francesco I d'Este, at the Head of his Armies, Arrives at the Piazza di Valeneza, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Despite the Corageous Opposition of the Germans and the Spanish, Francesco I d'Este, at the Head of his Armies, Arrives at the Piazza di Valeneza, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Liberates the City of Turin and Leaves it in the Hands of the Duke of Savoy, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Liberates the City of Turin and Leaves it in the Hands of the Duke of Savoy, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Protects the French in Casalmaggiore from the Seige of the Spanish, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Protects the French in Casalmaggiore from the Seige of the Spanish, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
Francesco I d'Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]" by Bartolomeo Fenice (Fénis), The Metropolitan Museum of Art

Francesco I d'Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"

Bartolomeo Fenice (Fénis)

1659 · Etching

Cleared · Public Domain

live
The MetSimilar
The Muse of Painting by John La Farge, The Metropolitan Museum of Art

The Muse of Painting

John La Farge (d. 1910)

1870 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 52a: The Annunciation; an angel to the left, holding a lily and pointing to the heavens; the Virgin, kneeling on the right with arms outstretched

Anonymous

1594–1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Art of Graveing and Etching : wherein is exprest the true way of graveing in copper : allso the manner & method of that famous Callot & Mr. Bosse in their severall ways of etching

William Faithorne the Elder (d. 1691)

1662 · Illustrations: etching, engraving

In copyright

live
The MetSimilar

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