
Joseph strides away from Potiphar's wife, who clutches his cloak with both hands as she straddles the corner of a bed, from "The Story of Joseph"
Georg Pencz (d. 1550)
1546 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1535 ms. The Metropolitan Museum of Art, Collection API (Open Access)
597 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 45 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Joseph strides away from Potiphar's wife, who clutches his cloak with both hands as she straddles the corner of a bed, from "The Story of Joseph"
Georg Pencz (d. 1550)
1546 · Engraving
Cleared · Public Domain
live
The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
"Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari)
Unrecorded maker
16th century · Handscroll; ink on paper
Cleared · Public Domain
live
A Couple Addressing a Gesticulating Young Man, plate 8 from "The Masquerades"
Jacques de Gheyn II (d. 1629)
1595–96 · Engraving; first state of three
Cleared · Public Domain
live
Othello Hesitating to Kill Desdemona
baron François Gérard (d. 1837)
ca. 1795–1810 · Pen and brown ink over black chalk
Cleared · Public Domain
live
Hagar in the Wilderness
Camille Corot (d. 1875)
1835 · Oil on canvas
Cleared · Public Domain
live
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2)
Théodore Chassériau (d. 1856)
etched 1844, reprinted 1900 · Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The "Lightning Express" Trains: "Leaving the Junction"
Frances Flora Bond Palmer (d. 1876)
1863 · Hand-colored lithograph, coated selectively with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1888 · Zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.