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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1535 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    597 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "The unfaithful wife explaining away the"12 records

Institutions answered newest-first by record, interleaved

Joseph strides away from Potiphar's wife, who clutches his cloak with both hands as she straddles the corner of a bed, from "The Story of Joseph" by Georg Pencz, The Metropolitan Museum of Art

Joseph strides away from Potiphar's wife, who clutches his cloak with both hands as she straddles the corner of a bed, from "The Story of Joseph"

Georg Pencz (d. 1550)

1546 · Engraving

Cleared · Public Domain

live
The MetSimilar
The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night by an unrecorded maker, The Cleveland Museum of Art

The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
"Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari) by an unrecorded maker, The Metropolitan Museum of Art

"Heartvine" ("Aoi") chapter from The Tale of Genji (Genji monogatari)

Unrecorded maker

16th century · Handscroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
A  Couple Addressing a Gesticulating Young Man, plate 8 from "The Masquerades" by Jacques de Gheyn II, The Metropolitan Museum of Art

A Couple Addressing a Gesticulating Young Man, plate 8 from "The Masquerades"

Jacques de Gheyn II (d. 1629)

1595–96 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
Othello Hesitating to Kill Desdemona by baron François Gérard, The Metropolitan Museum of Art

Othello Hesitating to Kill Desdemona

baron François Gérard (d. 1837)

ca. 1795–1810 · Pen and brown ink over black chalk

Cleared · Public Domain

live
The MetSimilar
Hagar in the Wilderness by Camille Corot, The Metropolitan Museum of Art

Hagar in the Wilderness

Camille Corot (d. 1875)

1835 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2) by Théodore Chassériau, The Metropolitan Museum of Art

"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2)

Théodore Chassériau (d. 1856)

etched 1844, reprinted 1900 · Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The "Lightning Express" Trains: "Leaving the Junction"

Frances Flora Bond Palmer (d. 1876)

1863 · Hand-colored lithograph, coated selectively with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)

Emile Bernard (d. 1941)

1888 · Zincograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Go Kill My Husband (The Unfaithful Wife)

Emile Bernard (d. 1941)

1892 · Hand-colored zincograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Go Kill My Husband (The Unfaithful Wife)

Emile Bernard (d. 1941)

1892 · Zincograph printed in sepia

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife)

Emile Bernard (d. 1941)

1892 · Hand-colored zincograph

In copyright

live
The MetSimilar

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