Terracotta plate
Unrecorded maker
ca. 510 BCE · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
345 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 282 matching records exist across the two collections.
Results for "The wounded comrade"11 records
Institutions answered newest-first by record, interleaved
Finger ring with ancient intaglio
Unrecorded maker
late 6th–early 7th century CE · Banded agate, gold
Cleared · Public Domain
liveThe MetSimilar
The Wounded Lion
James Gillray (d. 1815)
July 16, 1805 · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
Rebecca and the Wounded Ivanhoe
Eugène Delacroix (d. 1863)
1823 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
The Wounded Bear
Emmanuel Frémiet (d. 1910)
ca. 1850 · Cast terracotta
Cleared · Public Domain
liveThe MetSimilar
The wounded comrade
Nicholas Shiels (d. 1900)
1884–89 · Brush and brown wash
Cleared · Public Domain
liveThe MetSimilar
The Wounded Bunkie
Frederic Remington (d. 1909)
1896, cast before 1939 · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wounded Stag in the Water
Sir Edwin Henry Landseer (d. 1873)
December 1, 1861 · Mixed method engraving on chine collé
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded Playfellow
John George Brown (d. 1913)
1884 · Pen and India ink (carbon) on wove paper, laid on paper board
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Wounded (Der Verletzte)
Ernst Barlach (d. 1938)
1912 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Miracle Makers, from "Comrade Gulliver"
Hugo Gellert (d. 1985)
ca. 1935 · Lithograph
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.