
“Stola” Coffin of an Unnamed Man
Unrecorded maker
ca. 975–900 BCE · Wood, gesso, paint, varnish
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1315 ms. The Metropolitan Museum of Art, Collection API (Open Access)
312 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

“Stola” Coffin of an Unnamed Man
Unrecorded maker
ca. 975–900 BCE · Wood, gesso, paint, varnish
Cleared · Public Domain
live
Handscroll of Ten Homoerotic (Nanshoku) Scenes
Miyagawa Chōshun 宮川長春 (d. 1753)
early 18th century · Handscroll; ink and colors on silk
Cleared · Public Domain
live
A Girl Writing a Letter
Suzuki Harunobu (d. 1770)
18th century · Woodblock print; ink and color on paper
Cleared · Public Domain
live
The Tea-Tax-Tempest, or Old Time with his Magick Lanthern
Anonymous, British, 18th century (d. 1800)
March 12, 1783 · Etching
Cleared · Public Domain
live
Ink Impression ("Pull") from a Gold-inlaid Colt Revolver
Gustave Young (d. 1895)
ca. 1854 · Ink on paper
Cleared · Public Domain
live
A Startling Announcement
Currier & Ives (d. 1907)
1862 · Lithograph
Cleared · Public Domain
live
The Last Toilet of Charlotte Corday
Lumb Stocks (d. 1892)
1869 or after · Engraving on chine collé
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Life in a Year–The Garden–Noon, from "Picture Poesies"
Arthur Boyd Houghton (d. 1875)
first published 1866, reissued 1874 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
He took the princess by both hands and they danced about with all the little goblins, for "The Travelling Companion"
Arthur Rackham (d. 1939)
1904 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ofika (hanging figure)
Mbole artist
19th–mid-20th century · Wood, pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chapter XI from "A Living Man Declared Dead and Other Chapters I-XVIII"
Taryn Simon (d. 9999)
2008–11 · Inkjet prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.