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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    499 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    418 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "They Say "Yes" and Give Their Hand to th"12 records

Institutions answered newest-first by record, interleaved

The Four Horsemen, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

The Four Horsemen, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1498 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Cross-shaped Pendant and Four Other Motifs by Giovanni Battista Costantini, The Metropolitan Museum of Art

Cross-shaped Pendant and Four Other Motifs

Giovanni Battista Costantini (d. 1628)

1622 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
Curb Bit by an unrecorded maker, The Metropolitan Museum of Art

Curb Bit

Unrecorded maker

17th century · Iron alloy

Cleared · Public Domain

live
The MetSimilar
Curb Bit by an unrecorded maker, The Metropolitan Museum of Art

Curb Bit

Unrecorded maker

17th century · Iron alloy, tin

Cleared · Public Domain

live
The MetSimilar
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar
Three Principal Requisites to Form a Modern Man of Fashion by Thomas Rowlandson, The Metropolitan Museum of Art

Three Principal Requisites to Form a Modern Man of Fashion

Thomas Rowlandson (d. 1827)

September 15, 1814 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families

Isaac Robert Cruikshank (d. 1856)

December 1827 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."

Thomas B. Worth (d. 1917)

1875 · Hand-colored ithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."

Thomas B. Worth (d. 1917)

1875 · Hand-colored ithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Howling Swell -- On the War Path: "Aw! I say Billay! Pour Us a Snifter, and Bring On Your Injuns!"

Currier & Ives (d. 1907)

1890 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Robe (boubou)

Unrecorded maker

mid-20th century · Cotton, dye

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Belkis Ayón (d. 1999)

1999 · Collagraph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.