
The Four Horsemen, from "The Apocalypse"
Albrecht Dürer (d. 1528)
1498 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
499 ms. The Metropolitan Museum of Art, Collection API (Open Access)
418 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 48 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Four Horsemen, from "The Apocalypse"
Albrecht Dürer (d. 1528)
1498 · Woodcut
Cleared · Public Domain
live
Cross-shaped Pendant and Four Other Motifs
Giovanni Battista Costantini (d. 1628)
1622 · Blackwork and engraving
Cleared · Public Domain
live
Curb Bit
Unrecorded maker
17th century · Iron alloy
Cleared · Public Domain
live
Curb Bit
Unrecorded maker
17th century · Iron alloy, tin
Cleared · Public Domain
live
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1799 · Etching, burnished aquatint
Cleared · Public Domain
live
Three Principal Requisites to Form a Modern Man of Fashion
Thomas Rowlandson (d. 1827)
September 15, 1814 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Household Troops, or a Sketch of a Few, of the Principal Trustworthy and Confidential Domestics of Worthy and Confiding Families
Isaac Robert Cruikshank (d. 1856)
December 1827 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."
Thomas B. Worth (d. 1917)
1875 · Hand-colored ithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."
Thomas B. Worth (d. 1917)
1875 · Hand-colored ithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Howling Swell -- On the War Path: "Aw! I say Billay! Pour Us a Snifter, and Bring On Your Injuns!"
Currier & Ives (d. 1907)
1890 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robe (boubou)
Unrecorded maker
mid-20th century · Cotton, dye
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Belkis Ayón (d. 1999)
1999 · Collagraph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.