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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    337 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,768 matching records exist across the two collections.

Results for "Third Plate on the Bottom at Right, from"12 records

Institutions answered newest-first by record, interleaved

The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus] by Karel van Mallery, The Metropolitan Museum of Art

The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus]

Karel van Mallery (d. 1645)

ca. 1595 · Engraving

Cleared · Public Domain

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The MetSimilar
Sketches on the Coast Survey Plate by James McNeill Whistler, The Metropolitan Museum of Art

Sketches on the Coast Survey Plate

James McNeill Whistler (d. 1903)

1854–55 · Etching, printed in black ink; only state (Glasgow)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Armorial Trophies marked by the incorporation of an Elephant's Head on the right, plate 6 from "Libro de' Trofei"

Anonymous, Italian, 16th century (d. 1600)

ca. 1550–53 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Armorial Trophies marked by the incorporation One Helmet on the Left and Two at the right, plate 16 from "Libro de' Trofei"

Anonymous, Italian, 16th century (d. 1600)

ca. 1550–53 · Engraving [state before numbering]

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Square cartouche with oblique inner corners at top, female mask at bottom center, and bunches of fruit hanging at bottom left and right, plate 5, from Reverse copies of Variarum Protractionum

Hans Vredeman de Vries (d. 1606)

1572 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vespasianus, in an oval with bottom left and right a man cooked on the spit, plate 10 from "XII Caesarum Romanorum Imagines"

Hans Vredeman de Vries (d. 1606)

1603 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Second Plate on the Bottom at Center, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)

Jacques Callot (d. 1635)

1628–30 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Third Plate on the Bottom at Right, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)

Jacques Callot (d. 1635)

1628–30 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Designs for Iron Fences at Left and a Church Portico at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate from "Nouveaux dessins d'arquebuseries..."

De Lacollombe (d. 1736)

1705–36 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate from Nouveaux dessins d'arquebuseries...

De Lacollombe (d. 1736)

1705–36 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Titan's Goblet at the Approach of the Third Millennium

Stephen Hannock (d. 9999)

1995 · Polished oil and alkyd over acrylic on illustration board in artist frame

In copyright

live
The MetSimilar

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