![The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus] by Karel van Mallery, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP841102.jpg)
The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus]
Karel van Mallery (d. 1645)
ca. 1595 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
337 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,768 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus] by Karel van Mallery, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP841102.jpg)
The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus]
Karel van Mallery (d. 1645)
ca. 1595 · Engraving
Cleared · Public Domain
live
Sketches on the Coast Survey Plate
James McNeill Whistler (d. 1903)
1854–55 · Etching, printed in black ink; only state (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Armorial Trophies marked by the incorporation of an Elephant's Head on the right, plate 6 from "Libro de' Trofei"
Anonymous, Italian, 16th century (d. 1600)
ca. 1550–53 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Armorial Trophies marked by the incorporation One Helmet on the Left and Two at the right, plate 16 from "Libro de' Trofei"
Anonymous, Italian, 16th century (d. 1600)
ca. 1550–53 · Engraving [state before numbering]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Square cartouche with oblique inner corners at top, female mask at bottom center, and bunches of fruit hanging at bottom left and right, plate 5, from Reverse copies of Variarum Protractionum
Hans Vredeman de Vries (d. 1606)
1572 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vespasianus, in an oval with bottom left and right a man cooked on the spit, plate 10 from "XII Caesarum Romanorum Imagines"
Hans Vredeman de Vries (d. 1606)
1603 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Second Plate on the Bottom at Center, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)
Jacques Callot (d. 1635)
1628–30 · Etching; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Third Plate on the Bottom at Right, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)
Jacques Callot (d. 1635)
1628–30 · Etching; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Iron Fences at Left and a Church Portico at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate from "Nouveaux dessins d'arquebuseries..."
De Lacollombe (d. 1736)
1705–36 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate from Nouveaux dessins d'arquebuseries...
De Lacollombe (d. 1736)
1705–36 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Titan's Goblet at the Approach of the Third Millennium
Stephen Hannock (d. 9999)
1995 · Polished oil and alkyd over acrylic on illustration board in artist frame
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.