Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    869 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    400 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,147 matching records exist across the two collections.

Results for "Thirty-two Rosettes"12 records

Institutions answered newest-first by record, interleaved

Cylinder seal and modern impression: two horned animals, rosettes by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal and modern impression: two horned animals, rosettes

Unrecorded maker

ca. 3100–2900 BCE · Clinoenstatite (sometimes referred to as "glazed steatite")

Cleared · Public Domain

live
The MetSimilar
Thirty-two Rosettes by an unrecorded maker, The Metropolitan Museum of Art

Thirty-two Rosettes

Unrecorded maker

ca. 1473–1458 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Fragment from a Molding with Rosettes and Acanthus Clusters by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a Molding with Rosettes and Acanthus Clusters

Unrecorded maker

5th–6th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Fragment from a Molding with Rosettes and Acanthus Clusters by an unrecorded maker, The Metropolitan Museum of Art

Fragment from a Molding with Rosettes and Acanthus Clusters

Unrecorded maker

5th–6th century · Limestone; carved in relief

Cleared · Public Domain

live
The MetSimilar
Multi-Plate Helmet of Thirty-Two Lames by an unrecorded maker, The Metropolitan Museum of Art

Multi-Plate Helmet of Thirty-Two Lames

Unrecorded maker

possibly 14th–16th century · Iron, silver, gold, brass or copper alloy

Cleared · Public Domain

live
The MetSimilar
Counter box with thirty-two counters by Willem de Passe, The Metropolitan Museum of Art

Counter box with thirty-two counters

Willem de Passe (d. 1641)

1632–49 · Silver

Cleared · Public Domain

live
The MetSimilar
Classical Sculpture of a Lion and Two Rosettes by Thomas Hardwick, The Metropolitan Museum of Art

Classical Sculpture of a Lion and Two Rosettes

Thomas Hardwick (d. 1829)

1776–79 · Graphite

Cleared · Public Domain

live
The MetSimilar
Textile Design with Basketweave Pattern Background, Small Rosettes Flanked by Two Leaves and Pearls by Anonymous, Alsatian, 19th century, The Metropolitan Museum of Art

Textile Design with Basketweave Pattern Background, Small Rosettes Flanked by Two Leaves and Pearls

Anonymous, Alsatian, 19th century (d. 1900)

1840 · Gouache

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young woman with rosettes on her sleeves

Wenceslaus Hollar (d. 1677)

1635 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Thirty-Two 35mm Film Frames on Uncut Roll: Louisiana]

Walker Evans (d. 1975)

March 1935 · Film negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design with Paisley Motifs and Abstract Rosettes

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Thirty-two coloured woodcuts

Jozsef Domjan (d. 1992)

1956

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.