
Cylinder seal and modern impression: two horned animals, rosettes
Unrecorded maker
ca. 3100–2900 BCE · Clinoenstatite (sometimes referred to as "glazed steatite")
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
869 ms. The Metropolitan Museum of Art, Collection API (Open Access)
400 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,147 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cylinder seal and modern impression: two horned animals, rosettes
Unrecorded maker
ca. 3100–2900 BCE · Clinoenstatite (sometimes referred to as "glazed steatite")
Cleared · Public Domain
live
Thirty-two Rosettes
Unrecorded maker
ca. 1473–1458 BCE · Faience
Cleared · Public Domain
live
Fragment from a Molding with Rosettes and Acanthus Clusters
Unrecorded maker
5th–6th century · Limestone; carved in relief
Cleared · Public Domain
liveFragment from a Molding with Rosettes and Acanthus Clusters
Unrecorded maker
5th–6th century · Limestone; carved in relief
Cleared · Public Domain
live
Multi-Plate Helmet of Thirty-Two Lames
Unrecorded maker
possibly 14th–16th century · Iron, silver, gold, brass or copper alloy
Cleared · Public Domain
live
Counter box with thirty-two counters
Willem de Passe (d. 1641)
1632–49 · Silver
Cleared · Public Domain
live
Classical Sculpture of a Lion and Two Rosettes
Thomas Hardwick (d. 1829)
1776–79 · Graphite
Cleared · Public Domain
live
Textile Design with Basketweave Pattern Background, Small Rosettes Flanked by Two Leaves and Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young woman with rosettes on her sleeves
Wenceslaus Hollar (d. 1677)
1635 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Thirty-Two 35mm Film Frames on Uncut Roll: Louisiana]
Walker Evans (d. 1975)
March 1935 · Film negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Paisley Motifs and Abstract Rosettes
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thirty-two coloured woodcuts
Jozsef Domjan (d. 1992)
1956
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.