
Tabernacle of Cherves
Unrecorded maker
ca. 1220–1230 · Champlevé enamel on gilded copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
222 ms. The Metropolitan Museum of Art, Collection API (Open Access)
756 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tabernacle of Cherves
Unrecorded maker
ca. 1220–1230 · Champlevé enamel on gilded copper
Cleared · Public Domain
live
Manuscript Leaf with the Crucifixion, from a Missal
Unrecorded maker
ca. 1270–80 · Tempera and gold on parchment
Cleared · Public Domain
live
The First Interview of Werther and Charlotte
John Raphael Smith (d. 1812)
October 16, 1782 · Stipple and etching with hand-coloring
Cleared · Public Domain
live
The Lion-Dog of Malta—The Last of His Tribe
Sir Edwin Henry Landseer (d. 1873)
1844 · Mixed method engraving on chine collé; proof before letters
Cleared · Public Domain
live
Hungry Birds, from "The Graphic" Christmas Number
Karl Wilhelm Friedrich Bauerle (d. 1912)
December 2, 1882 · Color wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pull Devil. Pull Baker! or, pastors, versus flocks; in the matter of loaves and fishes!!.–"Is it meet that we should take the Bread from our Children & cast it unto Dogs"?!!
George Cruikshank (d. 1878)
April 30, 1819 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Parables from Nature with Notes on the Natural History
Margaret Gatty (d. 1873)
1865 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sure of a Bite: "Golly! Dis am a high old picnic!"
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thomas Jefferson, bakery card from the Presidents series (D67), issued by the Ward Baking Company
Ward Baking Company
1910 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
America Today
Thomas Hart Benton (d. 1975)
1930–31 · Ten panels: Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thomas' Protogen Protein Bread, from the Bread End Labels series (D290)
Thomas' Bread
1950s · Commercial color lithograph
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.