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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    242 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    571 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 606 matching records exist across the two collections.

Results for "Three Cows Standing on the Ridge of a Fi"12 records

Institutions answered newest-first by record, interleaved

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi by Muhammad ibn Badr al-Din Jajarmi, The Metropolitan Museum of Art

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi

Muhammad ibn Badr al-Din Jajarmi (d. 1365)

dated 741 AH/1340–41 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi by Muhammad ibn Badr al-Din Jajarmi, The Metropolitan Museum of Art

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi

Muhammad ibn Badr al-Din Jajarmi (d. 1365)

dated 741 AH/1341 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Three Cows Standing on the Ridge of a Field by Thomas Rowlandson, The Metropolitan Museum of Art

Three Cows Standing on the Ridge of a Field

Thomas Rowlandson (d. 1827)

1784–87 · Soft-ground etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Bridge and Cows, part I, plate 2 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 11, 1807 · Etching and mezzotint; second state of five (Finberg)

Cleared · Public Domain

live
The MetSimilar
Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook) by Thomas F. Hoppin, The Metropolitan Museum of Art

Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook)

Thomas F. Hoppin (d. 1872)

1841 · Graphite on off-white Bristol board

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bull and Cows

Wenceslaus Hollar (d. 1677)

1659 · Etching, only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Three Cows

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cowdray Castle, with Cows

Sir Francis Seymour Haden (d. 1910)

1882 · Etching; first (final) state (Harrington); third state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Cows

Sir Francis Seymour Haden (d. 1910)

1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Cows

Sir Francis Seymour Haden (d. 1910)

1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Three Calves

Sir Francis Seymour Haden (d. 1910)

1882 · Etching with drypoint; first (final) state (Harrington); third state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Battle of the Little Bighorn

Standing Bear/ Mató Nájin (d. 1933)

ca. 1920 · Pencil, ink, and watercolor on muslin

In copyright

live
The MetSimilar

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