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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    648 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    432 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12,035 matching records exist across the two collections.

Results for "Three Design for Ornament & Architecture"11 records

Institutions answered newest-first by record, interleaved

Design for the Verso of a Pendant with Three Large Flowers by Jan Collaert I, The Metropolitan Museum of Art

Design for the Verso of a Pendant with Three Large Flowers

Jan Collaert I (d. 1581)

before 1573 · Engraving; second state of three (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
Design for Three Stucco Frames by Sir William Chambers, The Metropolitan Museum of Art

Design for Three Stucco Frames

Sir William Chambers (d. 1796)

ca. 1750–55 · Pen and ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs

Anonymous, Italian, 16th century (d. 1600)

ca. 1730–60 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Design for Three Vases by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for Three Vases

Anonymous, French, 18th century (d. 1800)

ca. 1770–85 · Pen and brown ink, watercolor, and graphite

Cleared · Public Domain

live
The MetSimilar
Design for Three Vases by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for Three Vases

Anonymous, French, 18th century (d. 1800)

ca. 1770–85 · Pen and brown ink, black chalk, and watercolor

Cleared · Public Domain

live
The MetSimilar
Design for Three Upright Panels of Ornament Arabesques by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for Three Upright Panels of Ornament Arabesques

Anonymous, French, 18th century (d. 1800)

18th century · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Design for Three Chairs with Armorial Ornament on Backs by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for Three Chairs with Armorial Ornament on Backs

Anonymous, British, 19th century (d. 1900)

early 19th century · Graphite

Cleared · Public Domain

live
The MetSimilar
Design for Three Chairs, Two with Armorial Ornament on Backs by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for Three Chairs, Two with Armorial Ornament on Backs

Anonymous, British, 19th century (d. 1900)

early 19th century · Graphite

Cleared · Public Domain

live
The MetSimilar
Design for Three Chairs, Two with Armorial Ornament on Backs by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for Three Chairs, Two with Armorial Ornament on Backs

Anonymous, British, 19th century (d. 1900)

early 19th century · Graphite

Cleared · Public Domain

live
The MetSimilar
Design for Three Gothic Pediments by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for Three Gothic Pediments

Anonymous, British, 19th century (d. 1900)

early 19th century · Graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Three Glass Decanters with Floral Ornament

Anonymous, Czech, early 20th century (d. 1950)

early 20th century · Purple pigment on beige paper (mimeograph/blue print reproductive process?)

In copyright

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The MetSimilar

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