
Design for the Verso of a Pendant with Three Large Flowers
Jan Collaert I (d. 1581)
before 1573 · Engraving; second state of three (New Hollstein)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1336 ms. The Metropolitan Museum of Art, Collection API (Open Access)
460 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,442 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for the Verso of a Pendant with Three Large Flowers
Jan Collaert I (d. 1581)
before 1573 · Engraving; second state of three (New Hollstein)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for five bracelets with diamonds and pearls
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and red, green, and yellow ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for three bracelets with scrolling branches and leaves
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and yellow and green ink, with gold, heightened with gray wash and silver paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three designs for brooches with stylized leaves and pearls
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and black, green, red, yellow, and gold ink, highlighted with gray wash and white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three designs for brooches with stylized leaves, angels, and red stones
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and red, green, yellow, and gold ink, heightened with gray gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two designs for brooches with ribbons and stones
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and black, green, red, yellow, silver, and gold ink, heightened with gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Jewelry
Paul Jeanne (d. 1900)
1877 · Lithograph with metallic gold ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Jewelry
Paul Jeanne (d. 1900)
ca. 1869–99 · Lithograph with metallic gold ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Jewelry
Anonymous, American, 19th century
ca. 1869–99 · Lithograph with metallic gold ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Designs for Enamel Buttons
Edgar Gilstrap Simpson (d. 1945)
1899 · Graphite and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold, Pearl, and Green Enamel Brooch in a Scrapbook with Jewelry Designs in Watercolor and Gouache
Unrecorded maker
ca. 1870–1930 · Watercolor and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Matching Gold, Pearl, and Green Enamel Bracelet and Brooch in a Scrapbook with Jewelry Designs in Watercolor and Gouache
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor, and ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.