
Tag amulet in the form of a tusk
Unrecorded maker
ca. 3900–3650 BCE · Ivory, paste
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
703 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tag amulet in the form of a tusk
Unrecorded maker
ca. 3900–3650 BCE · Ivory, paste
Cleared · Public Domain
live
Recluse Fishing by Autumn Trees
Sheng Mao (d. 1360)
dated 1350 · Hanging scroll; ink on paper
Cleared · Public Domain
live
Phrase about the female deity Mazu
Jifei Ruyi (Sokuhi Nyoitsu) (d. 1671)
ca. 1665–71 · Hanging scroll; ink on paper
Cleared · Public Domain
live
Incense burner with figures in landscape
Unrecorded maker
1707 · Porcelain painted in underglaze cobalt blue (Jingdezhen ware)
Cleared · Public Domain
live
Seascape with Seven Figures and a Dog
Nicolaas Aartman (d. 1793)
1728–93 · Brush and gray and black ink, with watercolor, over traces of black chalk
Cleared · Public Domain
live
Seascape with Six Figures in the Foreground
Nicolaas Aartman (d. 1793)
1728–93 · Brush and gray and black ink, with watercolor, over traces of black chalk
Cleared · Public Domain
live
Three Women on a Riverbank
Torii Kiyonaga (d. 1815)
early 19th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
General View of the City of Toronto, U.C. [Upper Canada]
Thomas Young (d. 1860)
1835–36 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thames Fishermen
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; third state of three (Harrington); fourth state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thames Fishermen
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; first state of three (Harrington); third state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thames Fishermen, No. 2
Sir Francis Seymour Haden (d. 1910)
1878 · Etching; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Valley of the Nervia
Claude Monet (d. 1926)
1884 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.