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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    454 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 318 matching records exist across the two collections.

Results for "Three Forearm Guards for the Left Arm"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

mid-5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragments of a kylix (drinking cup) by Painter of the Paris Gigantomachy, The Metropolitan Museum of Art

Terracotta fragments of a kylix (drinking cup)

Painter of the Paris Gigantomachy

480–470 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of an amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of an amphora (jar)

Unrecorded maker

530–520 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a closed shape by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a closed shape

Unrecorded maker

second half of the 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Female figure with raised arm by Tellem blacksmith, The Metropolitan Museum of Art

Female figure with raised arm

Tellem blacksmith

15th–16th century · Wood (Moraceae family), applied organic materials

Cleared · Public Domain

live
The MetSimilar
Anatomical Studies: a left forearm in two positions and a right forearm by Peter Paul Rubens, The Metropolitan Museum of Art

Anatomical Studies: a left forearm in two positions and a right forearm

Peter Paul Rubens (d. 1640)

ca. 1600–05 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Forearm Guard by an unrecorded maker, The Metropolitan Museum of Art

Forearm Guard

Unrecorded maker

possibly 15th–16th century · Leather, iron, pigments

Cleared · Public Domain

live
The MetSimilar
Forearm Guard for the Left Arm by an unrecorded maker, The Metropolitan Museum of Art

Forearm Guard for the Left Arm

Unrecorded maker

possibly 15th–16th century · Leather, shellac, gold, pigment

Cleared · Public Domain

live
The MetSimilar
Three Forearm Guards for the Left Arm by an unrecorded maker, The Metropolitan Museum of Art

Three Forearm Guards for the Left Arm

Unrecorded maker

possibly 15th–17th century · Leather, shellac, gold, pigments

Cleared · Public Domain

live
The MetSimilar
Archer's Arm Guard (Bracer) by an unrecorded maker, The Metropolitan Museum of Art

Archer's Arm Guard (Bracer)

Unrecorded maker

dated 1752 · Copper alloy

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raised Relief Fragment with Parts of Three Offering Bearers Facing Left

Unrecorded maker

664–610 BCE · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pair of Arm Defenses

New England Enameling Company, Inc.

1918 · Steel, paint, leather, copper alloy

In copyright

live
The MetSimilar

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