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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    980 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 493 matching records exist across the two collections.

Results for "Three Goddesses"12 records

Institutions answered newest-first by record, interleaved

Shard with Three Goddesses by an unrecorded maker, The Metropolitan Museum of Art

Shard with Three Goddesses

Unrecorded maker

ca. 3rd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Three Goddesses by Jan Saenredam, The Cleveland Museum of Art

Three Goddesses

Jan Saenredam (d. 1607)

c. 1595 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Athena, from "The Muses and the Three Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Athena, from "The Muses and the Three Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B) by Cleveland Painter, The Cleveland Museum of Art

Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)

Cleveland Painter

c. 470–460 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Calliope, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Calliope, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Juno by Jan Saenredam, The Cleveland Museum of Art

Juno

Jan Saenredam (d. 1607)

c. 1595 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Clio, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Clio, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Venus and Cupid by Jan Saenredam, The Cleveland Museum of Art

Venus and Cupid

Jan Saenredam (d. 1607)

c. 1595 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Melpomene, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Melpomene, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pallas Athena by Jan Saenredam, The Cleveland Museum of Art

Pallas Athena

Jan Saenredam (d. 1607)

c. 1595 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Three Goddesses from the Judgment of Paris by an unrecorded maker, The Metropolitan Museum of Art

The Three Goddesses from the Judgment of Paris

Unrecorded maker

16th century · Ivory

Cleared · Public Domain

live
The MetSimilar
The Judgment of Paris by an unrecorded maker, The Cleveland Museum of Art

The Judgment of Paris

Unrecorded maker

c. 1510–20 · Glass, silver-stained glass roundel

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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