Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    578 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    394 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Three Heads after Michelangelo's Frescoe"12 records

Institutions answered newest-first by record, interleaved

Design for the Tomb of Pope Julius II della Rovere by Michelangelo Buonarroti, The Metropolitan Museum of Art

Design for the Tomb of Pope Julius II della Rovere

Michelangelo Buonarroti (d. 1564)

1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint

Cleared · Public Domain

live
The MetSimilar
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Figure of Mercury by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Seated Figure of Mercury

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–26 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth by Marco Dente, The Metropolitan Museum of Art

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth

Marco Dente (d. 1527)

ca. 1515–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
A  Roman emperor sitting in a niche holding a globe and sceptre and looking to his left by Marcantonio Raimondi, The Metropolitan Museum of Art

A Roman emperor sitting in a niche holding a globe and sceptre and looking to his left

Marcantonio Raimondi (d. 1534)

ca. 1510–30 · Engraving

Cleared · Public Domain

live
The MetSimilar
Two naked men, the sons of Noah, standing in profile facing right, both pointing by Marcantonio Raimondi, The Metropolitan Museum of Art

Two naked men, the sons of Noah, standing in profile facing right, both pointing

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; only state

Cleared · Public Domain

live
The MetSimilar
Michelangelo Buonarroti (1475–1564) by Daniele da Volterra, The Metropolitan Museum of Art

Michelangelo Buonarroti (1475–1564)

Daniele da Volterra (d. 1566)

probably ca. 1545 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Jupiter and Io (recto); sketch of a male figure stabbing himself in the chest (verso) by Francesco Salviati (Francesco de' Rossi), The Metropolitan Museum of Art

Jupiter and Io (recto); sketch of a male figure stabbing himself in the chest (verso)

Francesco Salviati (Francesco de' Rossi) (d. 1563)

mid-16th century · Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk (recto); pen and gray ink (verso)

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
Three Heads after Michelangelo's Frescoes in the Sistine Chapel by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Three Heads after Michelangelo's Frescoes in the Sistine Chapel

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso) by Agostino Carracci, The Metropolitan Museum of Art

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)

Agostino Carracci (d. 1602)

1600–02 · Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.