Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    502 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    416 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,018 matching records exist across the two collections.

Results for "Three Muses and a putto above with a lyr"12 records

Institutions answered newest-first by record, interleaved

Three Muses and a Gesturing Putto by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Gesturing Putto

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with a Lyre by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with a Lyre

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738–39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738–39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

1560s · Engraving

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Landscape with Apollo and the Muses by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Landscape with Apollo and the Muses

Claude Lorrain (Claude Gellée) (d. 1682)

1674 · Pen and brown ink, brush and brown and gray wash and white gouache, over traces of graphite, on blue-green paper

Cleared · Public Domain

live
The MetSimilar
Study of a Putto Seated on a Corbel in a Shell Niche by Carlo Maratti, The Metropolitan Museum of Art

Study of a Putto Seated on a Corbel in a Shell Niche

Carlo Maratti (d. 1713)

ca. 1674–76 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Putto and Angel Holding a Banderole by Antonio Franchi (Il Lucchese), The Metropolitan Museum of Art

Putto and Angel Holding a Banderole

Antonio Franchi (Il Lucchese) (d. 1709)

1706 · Brush and pink and white tempera, over red chalk

Cleared · Public Domain

live
The MetSimilar
A group of three children and a putto with fruit and a lamb by Philip Spruyt, The Metropolitan Museum of Art

A group of three children and a putto with fruit and a lamb

Philip Spruyt (d. 1801)

ca. 1760–1801 · Etching

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.