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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metlive

    149 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    450 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 78 matching records exist across the two collections.

Results for "Three Muses seated below a flying putto"12 records

Institutions answered newest-first by record, interleaved

Terracotta hydria (water jar) by Meidias Painter, The Metropolitan Museum of Art

Terracotta hydria (water jar)

Meidias Painter

ca. 420–410 BCE · Terracotta

Cleared · Public Domain

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The MetSimilar
Salt by an unrecorded maker, The Metropolitan Museum of Art

Salt

Unrecorded maker

mid-16th century · Lead-glazed earthenware inlaid with slip, with molded ornament

Cleared · Public Domain

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The MetSimilar
Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses seated below a flying putto who grasps a lyre with both hands, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

ca. 1560–69 · Engraving

Cleared · Public Domain

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The MetSimilar
Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Three Muses seated underneath a flying putto who gestures downward, a cruciform composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

ca. 1560–69 · Engraving

Cleared · Public Domain

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The MetSimilar
The Feast of the Gods at the Marriage of Cupid and Psyche by Hendrick Goltzius, The Metropolitan Museum of Art

The Feast of the Gods at the Marriage of Cupid and Psyche

Hendrick Goltzius (d. 1617)

1587 · Engraving printed from three plates; second state

Cleared · Public Domain

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The MetSimilar
Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano by Marco Marchetti (Marco da Faenza), The Metropolitan Museum of Art

Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano

Marco Marchetti (Marco da Faenza) (d. 1588)

1561–88 · Pen and brown ink, brush and brown wash over traces of black chalk

Cleared · Public Domain

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The MetSimilar
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome) by Giovanni Lanfranco, The Metropolitan Museum of Art

A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)

Giovanni Lanfranco (d. 1647)

1634–35 · Black chalk, partly reworked by the artist in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

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The MetSimilar
Andiron with figure of Venus (one of a pair) by Girolamo Campagna, The Metropolitan Museum of Art

Andiron with figure of Venus (one of a pair)

Girolamo Campagna (d. 1625)

possibly early 17th century · Bronze

Cleared · Public Domain

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The MetSimilar
Andiron with figure of Vulcan (one of a pair) by Tiziano Aspetti, The Metropolitan Museum of Art

Andiron with figure of Vulcan (one of a pair)

Tiziano Aspetti (d. 1607)

possibly early 17th century · Bronze

Cleared · Public Domain

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The MetSimilar
Allegorical Composition: Music and Justice with the Spinola Arms by Giovanni Battista Gaulli (Il Baciccio), The Metropolitan Museum of Art

Allegorical Composition: Music and Justice with the Spinola Arms

Giovanni Battista Gaulli (Il Baciccio) (d. 1709)

1639–1709 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on rose-washed paper

Cleared · Public Domain

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The MetSimilar
January and February (part of a set illustrating the months of the year) by Antoine Watteau, The Metropolitan Museum of Art

January and February (part of a set illustrating the months of the year)

Antoine Watteau (d. 1721)

second quarter 18th century · Oil on panel; wood frame, painted yellow and gilded

Cleared · Public Domain

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The MetSimilar

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