Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
329 ms. The Metropolitan Museum of Art, Collection API (Open Access)
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 69 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
live
Saint Stephen
Hans Leinberger (d. 1530)
ca. 1525–30 · Limewood with traces of paint
Cleared · Public Domain
live
Saint George and the Dragon, the Scourging of Christ and the Last Judgement, with donor figures and armorials
Unrecorded maker
late 16th century · Stained glass
Cleared · Public Domain
live
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1620 · Pen and brown ink, brush and light brown wash (recto and verso)
Cleared · Public Domain
live
Jesus and St. John embracing, with Cherubs
Wenceslaus Hollar (d. 1677)
1646 · Etching; first state of two
Cleared · Public Domain
live
Seated sheep
Unrecorded maker
second half 18th century · Polychromed terracotta body and wooden ears
Cleared · Public Domain
live
Seated sheep
Nicola Vassalo (d. 1825)
second half 18th century · Polychromed terracotta body, wooden ears
Cleared · Public Domain
live
Seated sheep
Nicola Vassalo (d. 1825)
second half 18th century · Polychromed terracotta body and wooden ears
Cleared · Public Domain
live
Seated sheep
Francesco Gallo (d. 1800)
18th–19th century · Polychromed terracotta body and metal ears
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragmens Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of the Interior and Exterior of Windsor Castle
Joseph Nash (d. 1878)
1852 · Illustrations: lithographs with tint stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Seated Figures, St. Stephen's Green, Dublin
Nevill Johnson (d. 1999)
1952–53 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.