Eagle relief
Toltec artist(s)
900–1200 CE · Andesite or dacite, Maya blue, stucco, red pigment
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
482 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
478 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "Three Sections of the Tempio della Spera"12 records
Institutions answered newest-first by record, interleaved
Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt
Giovanni Lanfranco (d. 1647)
1582–1647 · Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above and below indicated in ruled black chalk lines
Cleared · Public Domain
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Virtue Crowned by Honor
Carlo Maratti (d. 1713)
1670–76 · Pen and brown ink, over red chalk, highlighted with white gouache, on blue paper
Cleared · Public Domain
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Seated Allegorical Figure of Divine Wisdom
Carlo Maratti (d. 1713)
1674–77 · Red chalk
Cleared · Public Domain
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Corpus from a crucifix
Unknown
second half 17th century · Bronze, gilt
Cleared · Public Domain
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Three Sections of the Tempio della Speranza
Pietro Paolo Coccetti (Cocchetti) (d. 1727)
1710–27 · Pen and ink, brush and gray and ochre wash, over ruling in graphite
Cleared · Public Domain
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Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from "Le Antichità Romane"
Giovanni Battista Piranesi (d. 1778)
1756 · Etching
Cleared · Public Domain
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Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane"
Giovanni Battista Piranesi (d. 1778)
1756 · Etching
Cleared · Public Domain
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Wax model for a portrait of King George IV (1762–1830)
Benedetto Pistrucci (d. 1855)
1820 · Wax on slate
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Colonne Traiane, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ancien Temple de la Déesse de la Toux auprès de Tivoli, plate 2 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
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