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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    456 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Three Trees (1)"9 records

Institutions answered newest-first by record, interleaved

Shakyamuni under the Bodhi Tree by an unrecorded maker, The Cleveland Museum of Art

Shakyamuni under the Bodhi Tree

Unrecorded maker

1600–1650 · Painting, hanging scroll; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Three Trees by James Bretherton, The Cleveland Museum of Art

The Three Trees

James Bretherton (d. 1844)

c. 1770–1844 · Print, etching and drypoint with roulette

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740) by an unrecorded maker, The Cleveland Museum of Art

Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

Unrecorded maker

1700s · Painting, gum tempera and lampblack on palm leaf

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pastures, Branchville, Connecticut by John Henry Twachtman, The Cleveland Museum of Art

Pastures, Branchville, Connecticut

John Henry Twachtman (d. 1902)

c. 1888–91 · Drawing, pastel on composition board

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Streams and Mountains without End by an unrecorded maker, The Cleveland Museum of Art

Streams and Mountains without End

Unrecorded maker

1100–1150 · Painting, handscroll; ink and slight color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
River and Mountains on a Clear Autumn Day by Dong Qichang, The Cleveland Museum of Art

River and Mountains on a Clear Autumn Day

Dong Qichang (d. 1636)

c. 1624–27 · Painting, Handscroll; ink on Korean paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Poetic Feeling in a Thatched Pavilion by Wu Zhen, The Cleveland Museum of Art

Poetic Feeling in a Thatched Pavilion

Wu Zhen (d. 1354)

1347 · Painting, handscroll; ink on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Album of Landscapes by Wang Gai, The Cleveland Museum of Art

Album of Landscapes

Wang Gai (d. 1705)

1677 · Painting, Album of eight leaves; ink or ink and light color on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.