Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    361 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    339 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 287 matching records exist across the two collections.

Results for "Three Women Considering a Sketch"12 records

Institutions answered newest-first by record, interleaved

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
Study of a Young Woman in Three-quarter Bust-Length by Bronzino (Agnolo di Cosimo di Mariano), The Metropolitan Museum of Art

Study of a Young Woman in Three-quarter Bust-Length

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

ca. 1540–42 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso) by Taddeo Zuccaro, The Metropolitan Museum of Art

Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso)

Taddeo Zuccaro (d. 1566)

1529–66 · Pen and brown ink, brush and brown wash, traces of red chalk (recto), red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
River God (one of a pair) by Giambologna, The Metropolitan Museum of Art

River God (one of a pair)

Giambologna (d. 1608)

second half 16th century · Cast terracotta

Cleared · Public Domain

live
The MetSimilar
River God (one of a pair) by Giambologna, The Metropolitan Museum of Art

River God (one of a pair)

Giambologna (d. 1608)

second half 16th century · Cast terracotta

Cleared · Public Domain

live
The MetSimilar
The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject) by Otto van Veen, The Metropolitan Museum of Art

The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject)

Otto van Veen (d. 1629)

ca.1615–20 · Oil on paper, pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso). by Anonymous, Italian, North Italy, 18th century, The Metropolitan Museum of Art

Study of a Woman in Bust-Length Three-Quarter View (recto); Summary Sketch of the Same (verso).

Anonymous, Italian, North Italy, 18th century (d. 1800)

18th century · Black and white chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
The Hours by Samuel Shelley, The Metropolitan Museum of Art

The Hours

Samuel Shelley (d. 1808)

ca. 1800 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Two Women and Three Men Playing Cards by Johann Eleazar Zeissig, called Schenau, The Metropolitan Museum of Art

Two Women and Three Men Playing Cards

Johann Eleazar Zeissig, called Schenau (d. 1806)

18th–early 19th century · Pen and black ink, gray wash, watercolor, over a sketch in black chalk or graphite

Cleared · Public Domain

live
The MetSimilar
Plate 9, from "World in Miniature" by Thomas Rowlandson, The Metropolitan Museum of Art

Plate 9, from "World in Miniature"

Thomas Rowlandson (d. 1827)

1816 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Study of three standing draped female figures, for "Music" by Frederic, Lord Leighton, The Metropolitan Museum of Art

Study of three standing draped female figures, for "Music"

Frederic, Lord Leighton (d. 1896)

ca. 1883–85 · Black and white chalk on brown paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Women Considering a Sketch

Francesco Bartolozzi (d. 1815)

1792–98 · Etching, printed in brown ink; second state of two (De Vesme & Calabi)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.