
Circular Box (Pyxis) with the Women at Jesus' Tomb
Unrecorded maker
500s · Elephant ivory with metalwork and paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
453 ms. The Metropolitan Museum of Art, Collection API (Open Access)
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,203 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Circular Box (Pyxis) with the Women at Jesus' Tomb
Unrecorded maker
500s · Elephant ivory with metalwork and paint
Cleared · Public Domain
live
Covent Garden Theatre
Thomas Rowlandson (d. 1827)
July 20, 1786 · Hand-colored etching
Cleared · Public Domain
live
Tobacco box
Unrecorded maker
18th century · Brass
Cleared · Public Domain
live
Three Ladies and a Gentleman in a Theater Box
Anonymous, British, 19th century (d. 1900)
ca. 1828 · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Man and Three Women, in a Box at the Theater (from Sketches in Outline)
Henry Moses (d. 1870)
1808 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Women in a Box at the Theater (from Sketches in Outline)
Henry Moses (d. 1870)
1808 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Box at the Italian Theater (Une Loge au Théàtre Italien), published in L'Artiste, first series, volume IX, 1835
Paul Gavarni [Chevalier] (d. 1866)
1835 · Handcolored lithograph; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Opera Box (No. 3)
Mary Cassatt (d. 1926)
ca. 1880 · Soft-ground, aquatint and etching; fourth state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Box
The Kalo Shop (d. 1970)
ca. 1905 · Silver and shell
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Box
Lucia Kleinhans Mathews (d. 1870)
1916 · Painted wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three Women
Fernand Léger (d. 1955)
1920 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Box
Daniel Brush (d. 2022)
1987 · Steel and 22k gold
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.