Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    558 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    391 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 511 matching records exist across the two collections.

Results for "Three acrobats; page 67 from the "Images"12 records

Institutions answered newest-first by record, interleaved

Blackwork Designs with Acrobats, Butterflies and Other Insects, Plate 3 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers by Meinert Gelijs, The Metropolitan Museum of Art

Blackwork Designs with Acrobats, Butterflies and Other Insects, Plate 3 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers

Meinert Gelijs

after 1622 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
They are getting drunk; folio 67 (recto) from the Madrid Album "B" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1796–98 · Brush and point of brush, scraper, carbon black washes

Cleared · Public Domain

live
The MetSimilar
An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the "Images of Spain" Album (F) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1812–20 · Brush, brown wash

Cleared · Public Domain

live
The MetSimilar
Three acrobats; page 67 from the "Images of Spain" Album (F) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Three acrobats; page 67 from the "Images of Spain" Album (F)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1812–20 · Brush and point of brush, brown ink washes, traces of red and black chalk

Cleared · Public Domain

live
The MetSimilar
Scenes from the Winter's Tale by William Shakespeare, The Metropolitan Museum of Art

Scenes from the Winter's Tale

William Shakespeare (d. 1616)

1866 · Illustrations: color lithographs

Cleared · Public Domain

live
The MetSimilar
Page of a Pilgrim’s Visiting Album by an unrecorded maker, The Metropolitan Museum of Art

Page of a Pilgrim’s Visiting Album

Unrecorded maker

late 18th–19th century · Album page; ink, color, and gold on paper, textile cover

Cleared · Public Domain

live
The MetSimilar
Page of a Pilgrim’s Visiting Album by an unrecorded maker, The Metropolitan Museum of Art

Page of a Pilgrim’s Visiting Album

Unrecorded maker

late 18th–19th century · Album page; ink, color, and gold on paper, textile cover

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragmens d'un Basrelief antique representant un Mariage, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Autels, plate 11 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vases Cinereres, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vases Cinereres, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vases Cinereres, plate 34 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.