Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    580 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    344 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 494 matching records exist across the two collections.

Results for "Three friezes with putti, rinceaux, and"12 records

Institutions answered newest-first by record, interleaved

Frieze with Rinceaux and Putti by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Frieze with Rinceaux and Putti

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Inkwell with three putti by Francesco Bertos, The Metropolitan Museum of Art

Inkwell with three putti

Francesco Bertos (d. 1741)

probably 1738 · Bronze, with remains of black lacquer

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze with three putti amidst rinceaux, from Rinceaux de frises et de feuillages, plate 2, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Friezes with putti amidst rinceaux, from Frises et ornements à la moderne, plate 2, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rinceaux with putti, from Rinceaux de différents feuillages, plate 6, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three friezes with putti, rinceaux, and with a cornucopia at center, from Frises, feuillages et ornements, plate 3, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting a Frieze of rinceaux and festoons with flying putti and a lion, from Feuillages et autres ornements, plate 1

Jean Le Pautre (d. 1682)

17th century · Etching; third state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting three putti amidst rinceaux, from Rinceaux de frises et de feuillages, plate 1, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two friezes ornamented with putti amidst rinceaux, from Frises, plate 2, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; undescribed state (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two friezes with putti flanking a lion at bottom, from Rinceaux de frises et de feuillages, plate 6, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (8)

Theodor Bang (d. 1606)

17th century · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Sections of Friezes with Geometric Patterns

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.