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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    421 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    454 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 54 matching records exist across the two collections.

Results for "Three gilded terracotta appliqués"12 records

Institutions answered newest-first by record, interleaved

Terracotta appliqué by an unrecorded maker, The Metropolitan Museum of Art

Terracotta appliqué

Unrecorded maker

late 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta appliqué by an unrecorded maker, The Metropolitan Museum of Art

Terracotta appliqué

Unrecorded maker

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Three gilded terracotta appliqués by an unrecorded maker, The Metropolitan Museum of Art

Three gilded terracotta appliqués

Unrecorded maker

ca. 350–300 BCE · Terracotta, gold

Cleared · Public Domain

live
The MetSimilar
Terracotta cup with appliqués by an unrecorded maker, The Metropolitan Museum of Art

Terracotta cup with appliqués

Unrecorded maker

ca. 150–100 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta medallion fragment by an unrecorded maker, The Metropolitan Museum of Art

Terracotta medallion fragment

Unrecorded maker

late 2nd–early 3rd century CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Three-handled jug with relief medallions by an unrecorded maker, The Metropolitan Museum of Art

Three-handled jug with relief medallions

Unrecorded maker

late 2nd–early 3rd century CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Appliqué Plaque with a Standing Eagle by an unrecorded maker, The Metropolitan Museum of Art

Appliqué Plaque with a Standing Eagle

Unrecorded maker

12th century · Brass; cast, gilded

Cleared · Public Domain

live
The MetSimilar
Triptych with Scenes from the Passion of Christ by Master Pertoldus, The Metropolitan Museum of Art

Triptych with Scenes from the Passion of Christ

Master Pertoldus

1494 · Silver, gilded silver, mother-of-pearl, bone, and cold enamel

Cleared · Public Domain

live
The MetSimilar
Wall-bracket (console d'applique) by an unrecorded maker, The Metropolitan Museum of Art

Wall-bracket (console d'applique)

Unrecorded maker

ca. 1715–20 · Terracotta, gilded; marble top

Cleared · Public Domain

live
The MetSimilar
Grand Salon from the Hôtel de Tessé, Paris by Nicolas Huyot, The Metropolitan Museum of Art

Grand Salon from the Hôtel de Tessé, Paris

Nicolas Huyot (d. 1791)

ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Group of terracotta appliqués

Unrecorded maker

ca. 500–475 BCE · Terracotta

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold appliqués

Unrecorded maker

late 4th–3rd century BCE · Gold

In copyright

live
The MetSimilar

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