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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    167 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 639 matching records exist across the two collections.

Results for "Throne back"12 records

Institutions answered newest-first by record, interleaved

Document Sealings With the Throne Name of Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Document Sealings With the Throne Name of Thutmose III

Unrecorded maker

ca. 1386–1347 BCE · Sun-dried mud

Cleared · Public Domain

live
The MetSimilar
Child's Throne by Pierre-Marie Balny le Jeune, The Cleveland Museum of Art

Child's Throne

Pierre-Marie Balny le Jeune (d. 1832)

1822 · Furniture and woodwork, carved and gilded wood, leather upholstery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Document Sealings With the Throne Name of Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Document Sealings With the Throne Name of Thutmose III

Unrecorded maker

ca. 1386–1347 BCE · Sun-dried mud

Cleared · Public Domain

live
The MetSimilar
Ceremonial Chair or Throne (citwamo ca mangu) by an unrecorded maker, The Cleveland Museum of Art

Ceremonial Chair or Throne (citwamo ca mangu)

Unrecorded maker

1800s · Furniture and woodwork, Wood, upholstery studs, leather

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Throne back by an unrecorded maker, The Metropolitan Museum of Art

Throne back

Unrecorded maker

ca. 1347–1330 BCE · Indurated limestone

Cleared · Public Domain

live
The MetSimilar
Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 by Francesco Guardi, The Cleveland Museum of Art

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782

Francesco Guardi (d. 1793)

c. 1783 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Limestone votive throne by an unrecorded maker, The Metropolitan Museum of Art

Limestone votive throne

Unrecorded maker

6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory") by an unrecorded maker, The Cleveland Museum of Art

Ivory Plaque with Enthroned Mother of God ("The Stroganoff Ivory")

Unrecorded maker

950–1025 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Throne for a god with royal statue by an unrecorded maker, The Metropolitan Museum of Art

Throne for a god with royal statue

Unrecorded maker

664–332 BCE · Bronze or copper alloy

Cleared · Public Domain

live
The MetSimilar
Folio 2, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka by an unrecorded maker, The Cleveland Museum of Art

Folio 2, from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka

Unrecorded maker

1428 · Painting, gum tempera and ink on palm leaf

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Throne Leg in the Shape of a Griffin by an unrecorded maker, The Metropolitan Museum of Art

Throne Leg in the Shape of a Griffin

Unrecorded maker

late 7th–early 8th century · Bronze; cast around a ceramic core and chased

Cleared · Public Domain

live
The MetSimilar
Ring by an unrecorded maker, The Cleveland Museum of Art

Ring

Unrecorded maker

before 1975 · Jewelry, Copper alloy

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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