No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flood Tide
William Hicks (d. 1995)
1935–43 · Etching
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
325 ms. The Metropolitan Museum of Art, Collection API (Open Access)
300 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 172 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flood Tide
William Hicks (d. 1995)
1935–43 · Etching
In copyright
live
A Low Tide Pentaptych
Utagawa Kuniyoshi (d. 1861)
c. 1830 · Print, Pentaptych of color woodblock prints
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Low Tide
Samuel L. Margolies (d. 1974)
1915–54 · Aquatint, first state
In copyright
live
Low Tide at Pourville, near Dieppe, 1882
Claude Monet (d. 1926)
1882 · Painting, oil on fabric
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Low Tide
Samuel L. Margolies (d. 1974)
1915–54 · Aquatint, second state
In copyright
live
Low Tide, Oporto
Orville Houghton Peets (d. 1968)
c. 1924 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Low Tide
Samuel L. Margolies (d. 1974)
1915–54 · Aquatint, third and final state
In copyright
live
Gathering Shellfish at Low Tide at Susaki, from Famous Places in Edo
Utagawa Hiroshige (d. 1858)
mid-1830s · Print, color woodblock print
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Low Tide
Sears Gallagher (d. 1955)
ca. 1911–55 · Etching with drypoint
In copyright
live
Tide-Changing Jewel with Dragon
Unrecorded maker
early 1900s · Metalwork, silver, shakudō (copper and gold alloy), and crystal
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Low Tide
Louis J. Guerrera (d. 1980)
ca. 1911–55 · Etching with drypoint
In copyright
live
Second Print from A Low Tide Pentaptych
Utagawa Kuniyoshi (d. 1861)
c. 1830 · Print, color woodblock print from a pentaptych
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.