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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    506 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 426 matching records exist across the two collections.

Results for "Tile Inlay of a Torso"12 records

Institutions answered newest-first by record, interleaved

Inlay: male torso by an unrecorded maker, The Metropolitan Museum of Art

Inlay: male torso

Unrecorded maker

ca. 2600–2500 BCE · Shell

Cleared · Public Domain

live
The MetSimilar
Tile Inlay Depicting a Torso by an unrecorded maker, The Metropolitan Museum of Art

Tile Inlay Depicting a Torso

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Tile Inlay depicting a Wig by an unrecorded maker, The Metropolitan Museum of Art

Tile Inlay depicting a Wig

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Tile Inlay from the Palace of Ramesses II, Torso of a Mesopotamian or Syrian Captive by an unrecorded maker, The Metropolitan Museum of Art

Tile Inlay from the Palace of Ramesses II, Torso of a Mesopotamian or Syrian Captive

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Tile Inlay of a Torso by an unrecorded maker, The Metropolitan Museum of Art

Tile Inlay of a Torso

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay, floral by an unrecorded maker, The Metropolitan Museum of Art

Inlay, floral

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, lotus? by an unrecorded maker, The Metropolitan Museum of Art

Inlay, lotus?

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, palmette by an unrecorded maker, The Metropolitan Museum of Art

Inlay, palmette

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, palmette by an unrecorded maker, The Metropolitan Museum of Art

Inlay, palmette

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, rosette by an unrecorded maker, The Metropolitan Museum of Art

Inlay, rosette

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, satyr by an unrecorded maker, The Metropolitan Museum of Art

Inlay, satyr

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, satyr by an unrecorded maker, The Metropolitan Museum of Art

Inlay, satyr

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.