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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    271 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    427 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,523 matching records exist across the two collections.

Results for "Tile with the image of Bes from the pala"12 records

Institutions answered newest-first by record, interleaved

Amulet of a Bes-image by an unrecorded maker, The Metropolitan Museum of Art

Amulet of a Bes-image

Unrecorded maker

ca. 1386–1347 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Mold for Bes-image Amulet by an unrecorded maker, The Metropolitan Museum of Art

Mold for Bes-image Amulet

Unrecorded maker

ca. 1386–1347 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Tile with the image of Bes from the palace of Ramesses II by an unrecorded maker, The Metropolitan Museum of Art

Tile with the image of Bes from the palace of Ramesses II

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bes-Image Amulet by an unrecorded maker, The Metropolitan Museum of Art

Bes-Image Amulet

Unrecorded maker

ca. 1080–721 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bes-image Rattle by an unrecorded maker, The Metropolitan Museum of Art

Bes-image Rattle

Unrecorded maker

ca. 1080–664 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bes-image pendant by an unrecorded maker, The Metropolitan Museum of Art

Bes-image pendant

Unrecorded maker

664–525 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Container in the form of a Bes-image by an unrecorded maker, The Metropolitan Museum of Art

Container in the form of a Bes-image

Unrecorded maker

525–404 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Bes-image of the god Hor-Asha-Khet by an unrecorded maker, The Metropolitan Museum of Art

Bes-image of the god Hor-Asha-Khet

Unrecorded maker

4th–2nd century BCE · Bronze; gold, electrum, auriferous-silver, copper and copper-alloy inlays

Cleared · Public Domain

live
The MetSimilar
Colossal head from a Bes-image by an unrecorded maker, The Metropolitan Museum of Art

Colossal head from a Bes-image

Unrecorded maker

332–30 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tile with a fragment of a Bes figure from the palace of Ramesses II

Unrecorded maker

ca. 1290–1224 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tile with a fragment of a Bes figure from the palace of Ramesses II

Unrecorded maker

ca. 1290–1224 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tile with a fragment of a Bes figure from the palace of Ramesses II

Unrecorded maker

ca. 1290–1224 BCE · Faience

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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