The Golden Hour
Samuel Palmer (d. 1881)
1865 · Drawing, watercolor and gouache with graphite and scraping
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
8 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 71 matching records exist across the two collections.
Results for "Time and the Hour"12 records
Institutions answered newest-first by record, interleaved
Book of Hours (Use of Rouen)
Master of the Geneva Latini
c. 1470 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Book of Hours (Use of Paris)
The Bedford Master
c. 1420 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 1r, January
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 12v, December
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 13r, Text
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425), Blank Fly Leaf
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 2r, February
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 40r, Text
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 14v, Text
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 19r, Text
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 2v, February
Master of the Brussels Initials and Associates
c. 1405 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
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