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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    211 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,843 matching records exist across the two collections.

Results for "Title, from the series The Seven Vices"12 records

Institutions answered newest-first by record, interleaved

Avarice (Avaritia), from "The Seven Vices" by Georg Pencz, The Metropolitan Museum of Art

Avarice (Avaritia), from "The Seven Vices"

Georg Pencz (d. 1550)

1546 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pride (Superbia), from "The Seven Vices" by Georg Pencz, The Metropolitan Museum of Art

Pride (Superbia), from "The Seven Vices"

Georg Pencz (d. 1550)

1546 · Engraving

Cleared · Public Domain

live
The MetSimilar
Wrath (Ira), from "The Seven Vices" by Georg Pencz, The Metropolitan Museum of Art

Wrath (Ira), from "The Seven Vices"

Georg Pencz (d. 1550)

1546 · Engraving

Cleared · Public Domain

live
The MetSimilar
Sloth (Acedia), from The Seven Vices by Hieronymus (Jerome) Wierix, The Metropolitan Museum of Art

Sloth (Acedia), from The Seven Vices

Hieronymus (Jerome) Wierix (d. 1619)

before 1612 · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Title page, from "The Seven Sacraments" by Lorenzo Zucchi, The Metropolitan Museum of Art

Title page, from "The Seven Sacraments"

Lorenzo Zucchi (d. 1779)

1767 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate, from the series The Seven Sacraments

Philips Galle (d. 1612)

1576 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Envy (Invidia), from the series The Seven Vices

Philips Galle (d. 1612)

before 1612 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gluttony (Gula), from the series The Seven Vices

Philips Galle (d. 1612)

before 1612 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pride (Superbia), from the series The Seven Vices

Philips Galle (d. 1612)

before 1612 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title, from the series The Seven Vices

Philips Galle (d. 1612)

before 1612 · Engraving; first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wrath (Ira), from the series The Seven Vices

Philips Galle (d. 1612)

before 1612 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gluttony, from "The Seven Vices"

Adriaen Brouwer (d. 1638)

1615–75 · Engraving; second state of three (Hollstein)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.