Essempio di recammi, title page (recto)
Giovanni Antonio Tagliente (d. 1528)
1530 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
230 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
313 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 697 matching records exist across the two collections.
Results for "Title Page depicting the meeting of Augu"12 records
Institutions answered newest-first by record, interleaved
Convivio delle Belle Donne, title page (recto)
Nicolò Zoppino (d. 1544)
August 1532 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Esemplario di Lauori..., title page (recto)
Giovanni Andrea Vavassore (d. 1573)
August 1, 1532 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Trionfo Di Virtu. Libro Novo..., title page (recto)
Matteo Pagano (d. 1588)
1563 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Typographic Title Page with a Vignette Depicting the Allegorical Figure of Justice, from "Thronus Justitiae, tredecim pulcherrimus tabulis..."
Willem van Swanenburg (d. 1612)
1606 · Letterpress and engraving
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title-page with apocalypse imagery
Wenceslaus Hollar (d. 1677)
1644 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a ceiling decoration with the Assumption of the Virgin, from Plafonds modernes, plate 1
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching; first state of three (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a font ornamented with the Deposition of Christ, from Bénitiers, plate 1, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1667 · Etching; second state of three (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting the meeting of Augustus and Cleopatra within a border of garlands and putti, plate 1 from 'Differens Desseins d'Alcauue', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
published ca. 1667 · Etching; third state of four [?] (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page depicting Raphael's workshop decorating the Loggie, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli (d. 1700)
1650–77 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Second Title Page depicting the death of Cato of Utica, plate 2 from "Grandes alcôves à la romaine, ou à la royale"
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting people surrounding an altarpiece depicting the Adoration of the Magi, from Retables d'autels à l'italienne, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of three (Préaud)
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.