
Les Singuliers et Nouveaux Portraicts... page 41 (recto)
Federico de Vinciolo (d. 1599)
1588 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
409 ms. The Metropolitan Museum of Art, Collection API (Open Access)
384 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,701 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Les Singuliers et Nouveaux Portraicts... page 41 (recto)
Federico de Vinciolo (d. 1599)
1588 · Woodcut
Cleared · Public Domain
live
Title Page, from Des Pendants de Cleffs pour les Femmes
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Title Page, from Grotisch fur alle Kunstler
Theodor de Bry (d. 1598)
1580–1600 · Engraving
Cleared · Public Domain
live
Title Page, from "Varii Generis Opera Aurifabris Necessaria"
Paul Birckenhultz (d. 1639)
ca. 1600 · Engraving and blackwork
Cleared · Public Domain
live
Design for a Frontispiece of a Title Page
Gerard de Lairesse (d. 1711)
n.d. · Brush and gray wash over black chalk; framing lines in brown ink
Cleared · Public Domain
live
Title Page to "Livre Nouveau de Prinsipes D'Ornemens, tres facil. Pour apprendre a Dessigner"
Nicolas Guérard (d. 1719)
ca. 1715–25 · Engraving
Cleared · Public Domain
live
Plate One (Title Page) from Nouveavx Desseins D'Arquebvseries
De Lacollombe (d. 1736)
dated 1730 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page of series of blackwork prints with designs for goldsmith's ornaments
Jesse Du Buisson (d. 1600)
ca. 1595 · Blackwork prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page for a Series of Ornamental Designs
Baltasar le Mersier (d. 1634)
1626 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page to a Series of Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1643–77 · Engraving [3rd edition]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Guide du Dessinateur de l'Industrie, 2me Livraison: Title Page
Fleury Chavant (d. 19)
[after 1844] · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Guide du Dessinateur de l'Industrie, 7me Livraison: Title Page
Fleury Chavant (d. 19)
[after 1844] · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.