
Convivio delle Belle Donne, title page (recto)
Nicolò Zoppino (d. 1544)
August 1532 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
356 ms. The Metropolitan Museum of Art, Collection API (Open Access)
2751 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,620 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Convivio delle Belle Donne, title page (recto)
Nicolò Zoppino (d. 1544)
August 1532 · Woodcut
Cleared · Public Domain
live
Landscape with a Moated Village
Master of the Small Landscapes
1559–61 · Drawing, pen and brown ink; framing lines in brown ink (bottom)
Cleared · CC0
live
Trionfo Di Virtu. Libro Novo..., title page (recto)
Matteo Pagano (d. 1588)
1563 · Woodcut
Cleared · Public Domain
live
Title page to "Amoenissimi Aliquot Locorum in divertis Provincys"
Wenceslaus Hollar (d. 1677)
1643–44 · Etching, first state of three
Cleared · Public Domain
live
Title Page, from a series of six landscapes titled "Observationib.Astronom.Regiae.Paris.Scient. Acad...1736"
Quentin Pierre Chedel (d. 1763)
1736 · Etching
Cleared · Public Domain
live
Title Page to Series of Landscapes
Louis Philippe Joseph, duc de Chartres (d. 1785)
18th century · Etching
Cleared · Public Domain
live
Etchings of Paris; Title page to the suite
Charles Meryon (d. 1868)
1852 · Etching on brown wove paper; first state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in black and brown ink, in a bound volume with 13 sheets
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page of series of blackwork prints with designs for goldsmith's ornaments
Jesse Du Buisson (d. 1600)
ca. 1595 · Blackwork prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page to a Series of Oblong Oval Medallions with Allegorical Figures
Paul Flindt (d. 1650)
1611 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page to a Series of Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1643–77 · Engraving [3rd edition]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page from a Set of Landscapes Dedicated to Mr. Watelet
Salomon Gessner (d. 1788)
1764 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.