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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    240 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 729 matching records exist across the two collections.

Results for "Title Page with Coat of Arms, border of"12 records

Institutions answered newest-first by record, interleaved

Page from Ein new kunstlich Modelbuch...(Page 15r) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 15r)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

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The MetSimilar
Title Page with Coat of Arms, border of gardening tools, Iris, and Narcissus, folio 1 (recto), from Florilegium (A Book of Flower Studies) by an unrecorded maker, The Cleveland Museum of Art

Title Page with Coat of Arms, border of gardening tools, Iris, and Narcissus, folio 1 (recto), from Florilegium (A Book of Flower Studies)

Unrecorded maker

1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Page from Ein new kunstlich Modelbuch...(Page 27r) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 27r)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Page from Ein new kunstlich Modelbuch...(Page 32v) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 32v)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Page from Ein new kunstlich Modelbuch...(Page 33r) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 33r)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Page from Ein new kunstlich Modelbuch...(Page 3r) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 3r)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Page from Ein new kunstlich Modelbuch...(Page 51v) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 51v)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Page from Ein new kunstlich Modelbuch...(Page 5v) by Peter Quentel, The Metropolitan Museum of Art

Page from Ein new kunstlich Modelbuch...(Page 5v)

Peter Quentel (d. 1550)

1544 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Les Singuliers et Nouveaux Portraicts... Part I title page (recto) by Federico de Vinciolo, The Metropolitan Museum of Art

Les Singuliers et Nouveaux Portraicts... Part I title page (recto)

Federico de Vinciolo (d. 1599)

1588 · Woodcut

Cleared · Public Domain

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The MetSimilar
Teatro delle Nobili et Virtuose Donne..., title page (recto) by Isabella Catanea Parasole, The Metropolitan Museum of Art

Teatro delle Nobili et Virtuose Donne..., title page (recto)

Isabella Catanea Parasole (d. 1625)

1616 · Woodcut, engraving

Cleared · Public Domain

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The MetSimilar
Diverses Pieces de Serruriers, title page (recto) by Jean Berain, The Metropolitan Museum of Art

Diverses Pieces de Serruriers, title page (recto)

Jean Berain (d. 1711)

ca. 1663 · Engraving

Cleared · Public Domain

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The MetSimilar
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown by Giovanni Andrea Maglioli, The Metropolitan Museum of Art

Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown

Giovanni Andrea Maglioli (d. 1610)

17th century · Pen and brown ink, brush and brown wash, over black chalk (incised for transfer)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.