Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
235 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 881 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two small wall cabinets in the shape of epitaphs, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 1, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Plate, from "Epitaphs" (Les Epitaphes)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a tomb ornamented with Chronos at the top and two weeping children on either side, from Sépultures et épitaphes, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published 1661 · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page depicting three putti carrying a drapery, from Livre de panneaux pour les lambris, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 1, from "Ornaments for Gunmakers..." (Plusieurs Pieces Et Autres Ornements pour les Arquebuziers...)
Claude Simonin (d. 1693)
1695 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Woman from Berkeley, from "Les Cantilènes"
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.