Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    177 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,776 matching records exist across the two collections.

Results for "Title Plate with Design for an Entrance"12 records

Institutions answered newest-first by record, interleaved

Design for a Knife Handle (Fragment from Manches de Coutiaus) by Johann Theodor de Bry, The Metropolitan Museum of Art

Design for a Knife Handle (Fragment from Manches de Coutiaus)

Johann Theodor de Bry (d. 1623)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Design for Four Knife Handles with Title by Johann Theodor de Bry, The Metropolitan Museum of Art

Design for Four Knife Handles with Title

Johann Theodor de Bry (d. 1623)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Design for an Entrance Arch by Anonymous, Italian, 17th or 18th century, The Metropolitan Museum of Art

Design for an Entrance Arch

Anonymous, Italian, 17th or 18th century (d. 1799)

17th century · Pen and brown ink with brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Title Plate with Design for a Chimney, from Nouvelles Cheminées Faittes en Plusieur en Droits de la Hollande et Autres Prouinces, part of Œuvres du Sr. D. Marot by Daniel Marot the Elder, The Metropolitan Museum of Art

Title Plate with Design for a Chimney, from Nouvelles Cheminées Faittes en Plusieur en Droits de la Hollande et Autres Prouinces, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Entrance Portal with a Single Door by Michael Furtner the Elder, The Metropolitan Museum of Art

Design for an Entrance Portal with a Single Door

Michael Furtner the Elder

ca. 1720 · Pen and black ink, and brush and wash

Cleared · Public Domain

live
The MetSimilar
Design for a Classical Country House, Entrance Elevation by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for a Classical Country House, Entrance Elevation

Anonymous, British, 19th century (d. 1900)

early 19th century · Watercolor, pen and ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Church Portico at Left and a Mansion Entrance at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with Ceiling Design, from Nouveau Liure de Placfond, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with Design for a Garden with Parterres, from Nouveux Liure de Parterres, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with Design for an Entrance Gate, from Nouveau Liure de Serrurie, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1689–1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with Fountain Design with Reclining River Gods, from Liure de Fontaines, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1701–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with the Design for a Stage Set, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

published 1703 or 1712 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.