Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
345 ms. The Metropolitan Museum of Art, Collection API (Open Access)
294 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 290 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini (d. 1860)
ca. 1770–1800 · Engraving with hand coloring
Cleared · Public Domain
live
Plate 1: four street vendors from Madrid selling blueberries, onions, tea, and baskets, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino (d. 1828)
1809–17 · Engraving with hand coloring
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 1, from "Livre D'architecture de Porte et Cheminees"
D. Antoine Pierretz (d. 1700)
ca. 1647 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a ceiling decoration with the Assumption of the Virgin, from Plafonds modernes, plate 1
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching; first state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting two draped atlantes, from Mausolées, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page, from Lambris à la française, plate 1
Jean Le Pautre (d. 1682)
published ca. 1656–57 · Etching; first state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a baptismal font ornamented with the Virgin and Child, from Bénitiers, plate 1, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting the meeting of Augustus and Cleopatra within a border of garlands and putti, plate 1 from 'Differens Desseins d'Alcauue', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
published ca. 1667 · Etching; third state of four [?] (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a cabinet ornamented with Perseus and Andromeda, from Cabinets, plate 1, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; fourth state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a fireplace topped with an imperator on horseback, from Grandes cheminées, plate 1
Jean Le Pautre (d. 1682)
17th century · Etching; second state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting people surrounding an altarpiece depicting the Adoration of the Magi, from Retables d'autels à l'italienne, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting a bedroom ornamented with statues and pedestals, from Alcôves à l'italienne, plate 1
Jean Le Pautre (d. 1682)
published after 1665 · Etching; second state of two (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.