
Modelbuch aller Art Nehens vn Stickens
Christian Egenolff (d. 1555)
1535 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
356 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Modelbuch aller Art Nehens vn Stickens
Christian Egenolff (d. 1555)
1535 · Woodcut
Cleared · Public Domain
live
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century (d. 1600)
ca. 1550–70 · Engraving; first state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page, from "Descrizione e Disegno dell'Emissario del Lago Albano di Gio Battista Piranesi" (Description and Design of the Emissarium of Lake Alboano by Gio. Battista Piranesi)
Giovanni Battista Piranesi (d. 1778)
1762 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Giovanni Battista Piranesi (d. 1778)
1764 · Etching with red and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Della Introduzione; Vignette (head-piece): Pinna or Etruscan acroterion in the possession of Matthew Nulty, English painter in Rome, page 17 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Della Introduzione; Vignette (tail-piece): Imaginary architectural composition with ground floor portico supported by pairsof Egyptian figures, page 23 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Della Introduzione; Vignette (tail-piece): Roman Coins, page 23 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Osservazioni; Vignette (head-piece): Capital decorated with sirens and dolphins and a marble column in the form of a tree trunk..., page 1 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Parere; Vignette (head-piece): Imaginary architectural composition inscribed REI ANTIQVARIAE LONDINENSI SAC. (To the Royal Society of Antiquaries of London), page 9 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Parere; Vignette (tail-piece): Imaginary architectural composition of a hexastyle Corinthian temple, page 16 from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe..." (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe...)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page, from "Osservazioni di Gio. Battista Piranesi sopra la lettere de M. Mariette aux auteurs de la Gazette Littéraire de l'Europe, Inserita nel Supplemento dell'istessa Gazzetta stampata Dimanche 4 Novembre MDCCLIV. E Parere su l'Architettura, con una Prefazione ad un nuovo Trattato della introduzione e del progresso delle belle arti in Europa ne'tempi antichi" (Observations of Giovanni Battista Piranesi on the Letter of M. Mariette to the authors of the Gazette Littéraire de l'Europe, included in the Supplement of the same Gazette printed Sunday, 4 November 1754 [1764]. And opinions on Architecture, together with a Preface to a new Treatise on the introduction and the progress of the Fine Arts in Europe in ancient times)
Giovanni Battista Piranesi (d. 1778)
1765 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page (first edition), vignette: Fragment of a shield spearated from the Trophies of Octavian Augustus, now in the courtyard of the Mendicant Fathers at Torre de'Conti, from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi (d. 1810)
printed ca. 1780 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.