
Title page to "Amoenissimi Aliquot Locorum in divertis Provincys"
Wenceslaus Hollar (d. 1677)
1643–44 · Etching, first state of three
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
283 ms. The Metropolitan Museum of Art, Collection API (Open Access)
396 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,879 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Title page to "Amoenissimi Aliquot Locorum in divertis Provincys"
Wenceslaus Hollar (d. 1677)
1643–44 · Etching, first state of three
Cleared · Public Domain
live
Etchings of Paris; Title page to the suite
Charles Meryon (d. 1868)
1852 · Etching on brown wove paper; first state
Cleared · Public Domain
live
Title page from "Etchings of Pictures in the Metropolitan Museum New York"
Jules-Ferdinand Jacquemart (d. 1880)
1871 · Etching; third state of three (Gonse)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in black and brown ink, in a bound volume with 13 sheets
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page: Birds and Insects
Georg Hermann (d. 1679)
1596 · Blackwork and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a vaulted arcade with Corinthian columns and male terms flanking the entrance, plate 21, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page to a Series of Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1643–77 · Engraving [3rd edition]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page and series of 21 etchings in the "Magnificentiores Selectioresque Urbis Venetiarum Prospectus"
Michele Marieschi (d. 1743)
1741 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page for Catalogue of Etchings
Sir David Young Cameron (d. 1945)
1895 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
No. 21, U. S. S. Butternut, collector card from the Our Navy series (D62), issued by the Kelley Baking Company
Kelley Baking Company
1942 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frontispiece and title page to "Palabras Grabadas / Graven Words"
Gunther Gerzso (d. 2000)
1989 · Letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
15 Etchings
Anish Kapoor (d. 9999)
1996 · Portfolio of 15 etchings, title page, colophon and velvet covered box
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.