
Cover Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in a bound volume with 13 sheets
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
430 ms. The Metropolitan Museum of Art, Collection API (Open Access)
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 622 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cover Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in a bound volume with 13 sheets
Cleared · Public Domain
live
Title Page Designed for the Sale of the Series of Paysages Gravés pour Jean de Médicis, from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
François Collignon (d. 1687)
ca. 1618 · Etching and engraving; second state of two (Lieure)
Cleared · Public Domain
live
Title Page, from "Ten Landscapes" (Suite de Dix Paysages)
Jean Jacques de Boissieu (d. 1810)
1763 · Etching
Cleared · Public Domain
live
Title page for "Ten Landscapes"
Pierre Nicholas Camus (d. 1780)
1780 · Etching
Cleared · Public Domain
live
The Fifth Plague of Egypt, part III, plate 16 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 10, 1808 · Etching and mezzotint; first state of three
Cleared · Public Domain
live
Wreath of Wildflowers, title page for "Eaux-Fortes par Daubigny"
Charles-François Daubigny (d. 1878)
1850 · Etching on chine collé; ninth state of ten (Delteil)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Geometria et Perspectiva [Designs for Wood Inlay]
Lorenz Stoer (d. 1621)
1567 · Bound volume of 13 woodcuts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page from Geometria et Perspectiva
Lorenz Stoer (d. 1621)
1567 · Woodcut in black and brown ink, in a bound volume with 13 sheets
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fishing, plate 8, from Has Venationis, Aucupii, et Piscationis (Scenes of Hunting and Fishing), title from a series of ten plates after Vinckboons by various artists
David Vinckboons (d. 1629)
1612 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Has Venationis, Aucupii, et Piscationis (Scenes of Hunting and Fishing), title from a series of ten plates after Vinckboons by various artists
David Vinckboons (d. 1629)
1612 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Series of Cartouche Designs "Raccolta di Cartelle Pubblicate per uso della Gioventù Studiosa".
Sebastiano Cavina (d. 1790)
1798 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes
Bertauts (d. 1860)
1848–62 · Periodical with lithographs
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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