
Design for Title-Page
Anonymous, German, 18th century (d. 1800)
18th century · Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
251 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,924 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for Title-Page
Anonymous, German, 18th century (d. 1800)
18th century · Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Title Page, Rowlandson's Caricature Magazine
Thomas Rowlandson (d. 1827)
1808 · Hand-colored etching; proof before letters
Cleared · Public Domain
live
Title Page, Rowlandson's Caricature Magazine, Vol. 5
Thomas Rowlandson (d. 1827)
1808 · Hand-colored etching
Cleared · Public Domain
live
Title Page, The Caricature Magazine, or Mirror of Mirth
Thomas Rowlandson (d. 1827)
November 19, 1808 · Hand-colored etching
Cleared · Public Domain
live
Title Page, The Caricature Magazine, or Mirror of Mirth
Thomas Rowlandson (d. 1827)
November 1808 · Etching; proof before letters
Cleared · Public Domain
live
Title Page, The Caricature Magazine by G. M. Woodward, Vol. 4
Thomas Rowlandson (d. 1827)
1809 · Hand-colored etching
Cleared · Public Domain
live
Title Page, The Caricature Magazine by G. M. Woodward, vol. 4
Thomas Rowlandson (d. 1827)
[1809] 1821 · Hand-colored etching
Cleared · Public Domain
live
Title Page for the Revue de Peintres
Célestin Nanteuil (d. 1873)
1835 · Lithograph
Cleared · Public Domain
live
Title page design for "The Court Journal"
Freeman Gage Delamotte (d. 1862)
1830–62 · Pen and black ink, brush and gray wash, touches of gouache (bodycolor), over graphite
Cleared · Public Domain
live
Title page for the magazine "L'Artiste"
Charles-Ernest Clerget (d. 1870)
ca. 1870–72 · Etching in red ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pennsylvania Magazine or American Monthly Museum
Robert Aitken (d. 1802)
1775 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page for Catalogue of Etchings
Sir David Young Cameron (d. 1945)
1895 · Etching; only state
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.