
Title Page, from Des Pendants de Cleffs pour les Femmes
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
185 ms. The Metropolitan Museum of Art, Collection API (Open Access)
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,379 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Title Page, from Des Pendants de Cleffs pour les Femmes
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving and blackwork
Cleared · Public Domain
live
Title Page, from Grotisch fur alle Kunstler
Theodor de Bry (d. 1598)
1580–1600 · Engraving
Cleared · Public Domain
live
Title Page, from "Varii Generis Opera Aurifabris Necessaria"
Paul Birckenhultz (d. 1639)
ca. 1600 · Engraving; first of two states (SKB)
Cleared · Public Domain
live
Title Page, from "Varii Generis Opera Aurifabris Necessaria"
Paul Birckenhultz (d. 1639)
ca. 1600 · Engraving and blackwork
Cleared · Public Domain
live
Title-page to a series of fifteen plates, with two lions over a scroll facing a ring rounded by three feathers, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli (d. 1700)
1650–70 · Etching
Cleared · Public Domain
live
Title Page, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century (d. 1700)
ca. 1677 · Engraving
Cleared · Public Domain
live
Title Page to "Livre Nouveau de Prinsipes D'Ornemens, tres facil. Pour apprendre a Dessigner"
Nicolas Guérard (d. 1719)
ca. 1715–25 · Engraving
Cleared · Public Domain
live
Etchings of Paris; Title page to the suite
Charles Meryon (d. 1868)
1852 · Etching on brown wove paper; first state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page to a Series of Oblong Oval Medallions with Allegorical Figures
Paul Flindt (d. 1650)
1611 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page to a Series of Cartouches
Agostino (Stanzani) Mitelli (d. 1660)
1643–77 · Engraving [3rd edition]
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page, from a copy of a series of twenty-two plates depicting mythological subjects
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fleurs (Flowers), Title Page
Serge Gladky (d. 1939)
1929 · Pochoir
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.