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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    272 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Tobias Healing His Father's Blindness"12 records

Institutions answered newest-first by record, interleaved

Bowl Base with Miracle Scenes by an unrecorded maker, The Metropolitan Museum of Art

Bowl Base with Miracle Scenes

Unrecorded maker

ca. 350–400 · Glass, gold leaf

Cleared · Public Domain

live
The MetSimilar
Tobias Healing His Father's Blindness by Rembrandt van Rijn, The Cleveland Museum of Art

Tobias Healing His Father's Blindness

Rembrandt van Rijn (d. 1669)

c. 1640–45 · Drawing, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Burial of Saint Zenobius by Davide Ghirlandaio (David Bigordi), The Metropolitan Museum of Art

The Burial of Saint Zenobius

Davide Ghirlandaio (David Bigordi) (d. 1525)

ca. 1479 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Marriage of the Virgin by Davide Ghirlandaio (David Bigordi), The Metropolitan Museum of Art

The Marriage of the Virgin

Davide Ghirlandaio (David Bigordi) (d. 1525)

ca. 1479 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Tobias and the Angel by Davide Ghirlandaio (David Bigordi), The Metropolitan Museum of Art

Tobias and the Angel

Davide Ghirlandaio (David Bigordi) (d. 1525)

ca. 1479 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter by Bernard van Orley, The Metropolitan Museum of Art

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter

Bernard van Orley (d. 1542)

ca. 1515 · Wool, silk (16-20 warps per inch, 6-8 per cm.)

Cleared · Public Domain

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The MetSimilar
Raguel's Reception of Tobias at Ecbatana by Pieter Aertsen, The Metropolitan Museum of Art

Raguel's Reception of Tobias at Ecbatana

Pieter Aertsen (d. 1575)

1520–75 · Pen and brown ink, with gray wash

Cleared · Public Domain

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The MetSimilar
Mountainous Landscape with Tobias and the Angel by Tobias Verhaecht, The Metropolitan Museum of Art

Mountainous Landscape with Tobias and the Angel

Tobias Verhaecht (d. 1631)

1575–1631 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
Tobias Curing His Father's Blindness by Bernardo Strozzi, The Metropolitan Museum of Art

Tobias Curing His Father's Blindness

Bernardo Strozzi (d. 1644)

1630–35 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Beaker with three scenes from the Story of Tobit by Jan van de Velde II, The Metropolitan Museum of Art

Beaker with three scenes from the Story of Tobit

Jan van de Velde II (d. 1641)

1653, with later inscriptions · Silver

Cleared · Public Domain

live
The MetSimilar
Landscape with Tobias and the Angel by Felix Meyer, The Metropolitan Museum of Art

Landscape with Tobias and the Angel

Felix Meyer (d. 1713)

late 17th–early 18th century · Watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Young Tobias cures his father's blindness, an angel in between them, other figures standing in a columned structure at right

Pietro Monaco (d. 1772)

ca. 1730–72 · Etching and engraving

In copyright

live
The MetSimilar

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