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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    283 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    437 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 127 matching records exist across the two collections.

Results for "Tomb Effigy of a Lady"12 records

Institutions answered newest-first by record, interleaved

Tomb Effigy of a Lady by an unrecorded maker, The Metropolitan Museum of Art

Tomb Effigy of a Lady

Unrecorded maker

mid-13th century · Limestone

Cleared · Public Domain

live
The MetSimilar
Canopy from the tomb of Philip III (the Bold) of France (1245-1285) by Jean d'Arras, The Metropolitan Museum of Art

Canopy from the tomb of Philip III (the Bold) of France (1245-1285)

Jean d'Arras (d. 1350)

1297–1307 · Marble

Cleared · Public Domain

live
The MetSimilar
Tomb Effigy of Jacquelin de Ferrière by an unrecorded maker, The Metropolitan Museum of Art

Tomb Effigy of Jacquelin de Ferrière

Unrecorded maker

ca. 1275–1300 · Limestone, wood

Cleared · Public Domain

live
The MetSimilar
Tomb Effigy of a Boy, Probably Ermengol IX, Count of Urgell by an unrecorded maker, The Metropolitan Museum of Art

Tomb Effigy of a Boy, Probably Ermengol IX, Count of Urgell

Unrecorded maker

first half 14th century · Limestone, traces of paint

Cleared · Public Domain

live
The MetSimilar
Tomb of Ermengol VII, Count of Urgell by an unrecorded maker, The Metropolitan Museum of Art

Tomb of Ermengol VII, Count of Urgell

Unrecorded maker

ca. 1300–1350 · Limestone, traces of paint

Cleared · Public Domain

live
The MetSimilar
Tomb of Ermengol X, Count of Urgell by an unrecorded maker, The Metropolitan Museum of Art

Tomb of Ermengol X, Count of Urgell

Unrecorded maker

ca. 1300–1350 · Limestone with traces of paint

Cleared · Public Domain

live
The MetSimilar
Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux by Jean de Liège, The Metropolitan Museum of Art

Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux

Jean de Liège (d. 1381)

ca. 1381 · Marble with lead inlays

Cleared · Public Domain

live
The MetSimilar
Head of a Cleric from a Tomb Effigy by an unrecorded maker, The Metropolitan Museum of Art

Head of a Cleric from a Tomb Effigy

Unrecorded maker

1450–60 · Red sandstone

Cleared · Public Domain

live
The MetSimilar
Tomb Effigy of a Knight in Gothic Armor by an unrecorded maker, The Metropolitan Museum of Art

Tomb Effigy of a Knight in Gothic Armor

Unrecorded maker

ca. 1425–50 · Stone

Cleared · Public Domain

live
The MetSimilar
Cœnotaphiorum (4) by Hans Vredeman de Vries, The Metropolitan Museum of Art

Cœnotaphiorum (4)

Hans Vredeman de Vries (d. 1606)

1563 · Etching; first state of four

Cleared · Public Domain

live
The MetSimilar
Model for the Tomb of Géricault by Antoine Etex, The Metropolitan Museum of Art

Model for the Tomb of Géricault

Antoine Etex (d. 1888)

after 1840 · Patinated plaster

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tomb Effigy of Elizabeth Boott Duveneck

Frank Duveneck (d. 1919)

1891; cast 1927 · Bronze and gold leaf

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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