
The Virgin and Child with Saint Anne
Unrecorded maker
early 16th century · Polychromed terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
935 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 75 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Virgin and Child with Saint Anne
Unrecorded maker
early 16th century · Polychromed terracotta
Cleared · Public Domain
live
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–25 · Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Cleared · Public Domain
live
Pendant with Virgin and Child
Unrecorded maker
early 16th century · Silver and gilded silver
Cleared · Public Domain
live
Virgin and Child with the Young Saint John the Baptist
Unrecorded maker
ca. 1525–50 · Marble, partially gilt
Cleared · Public Domain
live
Orphrey woven with figurative design of Saint Peter and the Virgin and Child
Unrecorded maker
15th–16th century · Silk and linen
Cleared · Public Domain
live
Virgin and child with angels
Unrecorded maker
ca. 1630 · Bronze, on a later gilt base
Cleared · Public Domain
live
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini) (d. 1669)
1596–1669 · Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Design for an Altar with a Statue of the Virgin and Child.
Anonymous, Italian, 19th century (d. 1900)
ca. 1831 · Pen and brown ink, watercolor, over graphite with some ruled and compass construction
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 13a: The Tomb of a Youth with the Virgin and Child
Angiolo Falconetto (d. 1567)
1530–67 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 13b: The Tomb of a Bishop with the Virgin and Child
Battista Angolo del Moro (d. 1573)
1550–70 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb design with the Virgin and Child surrounded by Cherubs, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching and aquatint with brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb design with the Virgin and Child surrounded by Cherubs, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.