
Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti (d. 1564)
1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Cleared · Public Domain
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Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
142 ms. The Metropolitan Museum of Art, Collection API (Open Access)
374 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2 matching records exist across the two collections.
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Design for the Tomb of Pope Julius II della Rovere
Michelangelo Buonarroti (d. 1564)
1505–6 · Pen and brown ink, brush and brown wash, over stylus ruling and leadpoint
Cleared · Public Domain
live
Tomb of Annia Regilla, plan (recto) Arch of the Argentarii, ornamental details, elevation (verso)
Anonymous, French, 16th century (d. 1600)
early to mid-16th century · Dark brown ink, black chalk, and incised lines
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.