Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    809 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Tomb of Henry VII (from Francis Sandford"12 records

Institutions answered newest-first by record, interleaved

Vessel with mythological scene by Metropolitan Painter, The Metropolitan Museum of Art

Vessel with mythological scene

Metropolitan Painter (d. 800)

600–800 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury by an unrecorded maker, The Metropolitan Museum of Art

Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury

Unrecorded maker

1350–1400 · Cast tin-lead alloy

Cleared · Public Domain

live
The MetSimilar
Foot-Combat Helm of Sir Giles Capel (1485–1556) by an unrecorded maker, The Metropolitan Museum of Art

Foot-Combat Helm of Sir Giles Capel (1485–1556)

Unrecorded maker

ca. 1510 · Steel

Cleared · Public Domain

live
The MetSimilar
The Reign of Jupiter by an unrecorded maker, The Metropolitan Museum of Art

The Reign of Jupiter

Unrecorded maker

ca. 1550–70 · Marble

Cleared · Public Domain

live
The MetSimilar
Tomb of Henry VII (from Francis Sandford, "Genealogical History of the Kings of England,"1677) by Wenceslaus Hollar, The Metropolitan Museum of Art

Tomb of Henry VII (from Francis Sandford, "Genealogical History of the Kings of England,"1677)

Wenceslaus Hollar (d. 1677)

1665 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677 by Francis Sandford, The Metropolitan Museum of Art

A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677

Francis Sandford (d. 1694)

1677 · Illustrations: etching and engraving

Cleared · Public Domain

live
The MetSimilar
St. John the Evangelist by John Flaxman, The Metropolitan Museum of Art

St. John the Evangelist

John Flaxman (d. 1826)

ca. 1811 · Brush and brown wash over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Funeral Monument to Henry Bourchier (from Francis Sandford, "A Genealogical History of the Kings of England," London, 1677)

Wenceslaus Hollar (d. 1677)

1677 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern

William Andrew Chatto (d. 1864)

1849 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Etcher's Folio: A Publication Devoted to the Interest of American Etchers, and the Promotion of American Art, Parts 1-12

Janentzky & Co. (d. 1950)

1884 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.