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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    603 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Tomb of Prince Theodosio de Braganza"12 records

Institutions answered newest-first by record, interleaved

Funerary Cone of the Royal Tutor Heqaerneheh by an unrecorded maker, The Metropolitan Museum of Art

Funerary Cone of the Royal Tutor Heqaerneheh

Unrecorded maker

ca. 1427–1347 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Funerary Cone of the Royal Tutor Heqarneheh by an unrecorded maker, The Metropolitan Museum of Art

Funerary Cone of the Royal Tutor Heqarneheh

Unrecorded maker

ca. 1427–147 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Ramesses III and Prince Amenherkhepeshef before Hathor by Nina de Garis Davies, The Metropolitan Museum of Art

Ramesses III and Prince Amenherkhepeshef before Hathor

Nina de Garis Davies (d. 1965)

original ca. 1197–1166 BCE · Paper, tempera paint, ink

Cleared · Public Domain

live
The MetSimilar
A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677 by Francis Sandford, The Metropolitan Museum of Art

A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677

Francis Sandford (d. 1694)

1677 · Illustrations: etching and engraving

Cleared · Public Domain

live
The MetSimilar
David and Goliath by Francesco Fanelli, The Metropolitan Museum of Art

David and Goliath

Francesco Fanelli (d. 1665)

17th century cast · Bronze

Cleared · Public Domain

live
The MetSimilar
Frontispice pour le "Tombeau de Boyle, Locke, et Sydenham" (Frontispiece for the "Tomb of Boyle, Locke, and Sydenham"), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) by Claude Augustin Duflos le Jeune, The Metropolitan Museum of Art

Frontispice pour le "Tombeau de Boyle, Locke, et Sydenham" (Frontispiece for the "Tomb of Boyle, Locke, and Sydenham"), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)

Claude Augustin Duflos le Jeune (d. 1786)

ca. 1736 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Frontispice pour le "Tombeau de Charles Sackville, comte de Dorset" (Frontispiece for the "Tomb of Charles Sackville, Earl of Dorset", from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) by Michel Aubert, The Metropolitan Museum of Art

Frontispice pour le "Tombeau de Charles Sackville, comte de Dorset" (Frontispiece for the "Tomb of Charles Sackville, Earl of Dorset", from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)

Michel Aubert (d. 1757)

ca. 1736 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Frontispice pour le "Tombeau de Guillaume III" (Frontispiece for the Tomb of William III), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) by Pierre Louis Surugue, The Metropolitan Museum of Art

Frontispice pour le "Tombeau de Guillaume III" (Frontispiece for the Tomb of William III), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)

Pierre Louis Surugue (d. 1772)

ca. 1736 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Frontispice pour le "Tombeau de John Churchill, duc de Marlborough" (Frontispiece for the "Tomb of John Churchill, Duke of Marlborough"), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) by Laurent Cars, The Metropolitan Museum of Art

Frontispice pour le "Tombeau de John Churchill, duc de Marlborough" (Frontispiece for the "Tomb of John Churchill, Duke of Marlborough"), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)

Laurent Cars (d. 1771)

ca. 1736 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Frontispice pour le "Tombeau de John Tillotson, archevêque de Cantorbéry" (Frontispiece for the "Tomb of John Tillotson, Archbishop fo Canterbery), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men) by Nicolas de Larmessin III, The Metropolitan Museum of Art

Frontispice pour le "Tombeau de John Tillotson, archevêque de Cantorbéry" (Frontispiece for the "Tomb of John Tillotson, Archbishop fo Canterbery), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)

Nicolas de Larmessin III (d. 1755)

ca. 1736 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Napoléon III (1808–1873), Emperor of the French by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Napoléon III (1808–1873), Emperor of the French

Jean-Baptiste Carpeaux (d. 1875)

1873 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tomb of Prince Theodosio de Braganza

Wenceslaus Hollar (d. 1677)

1653 · Etching; second state of two

In copyright

live
The MetSimilar

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